“I know you

I walked with you 

Once upon a dream

I know you

The gleam in your eyes

Is so familiar a gleam…”

The adult version of Sleeping Beauty involves sensual dreams with a sexy, but faceless hunk; who also happens to be a beast – at least, that’s how others view him.

In Bloodstone by Helen C. Johannes, the heroine Mirianna has a dream lover who makes the men in her village pale in comparison. So Mirianna has saved herself for this dream man, constantly searching for him during the day. 

Durren has been cursed for fifteen years. No one can look upon his face without dying. So he completely covers himself in black clothing from head to foot, earning the feared nickname of the Shadow Man. He also dreams of a beauty who shudders under his touch for reasons other than fear. 

“And I know it’s true

That visions are seldom

As they seem.

But if I know you

I know what you’ll do.

You’ll love me at once

The way you did

Once upon a dream.”

Except that’s not what happens when Mirianna and Durren finally meet in person. Durren is in possession of the legendary bloodstones (gems made from dragon blood), and Mirianna’s father needs them to make jewelry for a client. Mirianna fears the Shadow Man and feels manipulated by him when she learns her dream lover is the legendary beast of the land. And Durren feels unworthy of Mirianna’s affections. But he gives in to his urges, and uses the threat of the real beast, Krad, to take Mirianna home with him. If she agrees to live with him, he’ll save the rest of her traveling party from the Krad. 

“Tale as old as time

True as it can be

Barely even friends

Then somebody bends

Unexpectedly

Just a little change

Small to say the least 

Both a little scared

Neither one prepared

Beauty and the beast.” 

Mirianna and Durren will navigate treachery, past mistakes, and life threatening plots with the help of a lioness and a blind boy. Amongst the danger and drama, they will be given the opportunity to fall in love and save the world.

I’m excited to introduce you to Helen C. Johannes, who has agreed to an interview. Helen is the author of three fantastic high fantasy romances: The Prince of Val-Feyridge, The Lord or Druemarwin, and Bloodstone. And a mid-grade fantasy Frederick Fly-Catcher. Helen lives in the Midwest with her husband and grown children.

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How did you come up with bloodstones? Are they based on any existing jewel or gemstone?

They are loosely based on the Apache tear and obsidian. The Apache tear is darkly translucent, and obsidian is such a deep, glossy black, like clotted blood. I wanted something that would both be petrified hard and yet capable of radiating light when struck by the sun.

How I came up with the idea goes back to my father’s expeditions to Alaska to dredge for gold, and the stories he told about finding garnets among the gold flecks while panning. That’s the inspiration for the Shadow Man panning the stream in the early chapters and encountering the she-lion. My father and his friends, fortunately, never encountered anything larger than Alaskan ground squirrels.

I really admire your worldbuilding creativity in not just Bloodstone, but The Prince of Val-Feyridge and The Lord of Drumarwin. How do you come up with these lands, histories, cultures, and names? How much time does it take to create such extensive worlds?

This is challenging to answer since I’m very much an “into the mist” writer, and I create what I need when I need it, seemingly out of the stuff of my imagination. However, I’ve been fortunate to have traveled widely in Europe and the UK and to have studied medieval history before I concentrated on German and English language and literature. That connection to very old places and the treasure trove of myths, legends, and fairy tales, along with a love of tramping through castles, has given me a pretty solid grounding. You’ll probably recognize some Germanic as well as Old English in my names of people and places. And I must not forget mentioning how much The Lord of the Rings affected me when I read the books as a high school senior.

As far as names, some come almost instantly along with the full character (Rees and Pumble), some require refining or changing entirely (Syryk, Brandelmore), and some take half the book to decide what they want to be called (I’m looking at you, Shadow Man).

Were the connections to beloved fairy tales deliberate?

Having a big, illustrated collection of fairy tales as my first remembered childhood book probably is the reason fairy tales resonate with me. That and growing up on Disney’s animated versions of those tales. I don’t know that the connection is always deliberate so much as that the tales are archetypal stories embedded in our culture.

Bloodstone at its heart is a Beauty-and-the-Beast-type story, and I had that in mind from the beginning, but for The Prince of Val-Feyridge and Lord of Druemarwin, the Cinderella and Princess and the Pea connections arose organically from the characters and their journeys.

What are you currently working on? Do readers get to return to any previous worlds? Or are you bringing us someplace new?

I’ve just published my second children’s book, The Dis’Aster Family’s Halloween, a picture book based on characters my children created. My first children’s book is Frederick Fly-Catcher, a middle grade fantasy chapter book. Currently, I’m working on a throwback 1960’s YA romantic suspense/gothic (there’s something freeing about a setting that’s pre-computers and cell phones). And I’m mulling a return to a novella in the Crown of Tolem world. I gave myself plenty of characters to work with there.

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Helen C. Johannes is one of my favorite fantasy authors. She has such an amazing imagination when it comes to world building, and a talent with words to show the reader that magical world. The clear connections between beloved fairy tales made the foreshadowing and guessing that much more fun. If you like your high fantasy intertwined with romance, then Bloodstone is for you. 

Follow Helen at her blog: https://helencjohannes.blogspot.com/