Author: Chelsey M. Ortega

New Release: Lost in His Spiderwebs

Posted on by Chelsey M. Ortega

I’m excited to have Amber Daulton back on the blog. Her latest book, Lost in His Spiderwebs released today. And the title is perfect for an October release. Here’s Amber.

Lost in His Spiderwebs is the second book in the Lozano Cartel series, where we dive into the lives of Rubén Lozano and Drina Cabrera in a dark, second-chance romance neither one of them saw coming.

Rubén is not someone you want to cross. A cold, calculating cartel kingpin, he’s willing to do whatever it takes to achieve his goals. Flip the coin and you got Drina—a widowed mother who’s raising her daughter alone while struggling to keep the darkness of her own mother’s anti-cartel resistance group out of their lives. These two couldn’t be more different. But when Drina’s world falls apart, she finds herself entangled in a dangerous cartel web, with none other than Rubén as her unlikely savior. The twist? He’s the man she’d loved and left long ago.

As for my inspiration… Well, that’s a bit of a story in itself.

Rubén and Drina were introduced as secondary characters in book 1, Dark Hearts Aflame. From the moment Rubén showed up on the page, I knew he deserved his own story, but at first, I couldn’t figure out who his heroine would be. After playing around with a few ideas and scrapping them, inspiration finally struck—Drina! She was the perfect fit for him. I’ve always loved the “opposites attract” trope, so I started plotting their story with her as his love interest. But something just didn’t feel right. At this point, Rubén and Drina were complete strangers when they meet in Chapter One, and that bothered me. There wasn’t enough depth or chemistry between them to make the story truly compelling.

I spent weeks, literally weeks, brainstorming how to make this connection feel real. And then, it hit me. Second-chance romance! Another favorite trope. What if Rubén and Drina had a past? What if they were once lovers, and he’s the father of her daughter, though he doesn’t know it? Once that idea clicked into place, I had everything I needed to take the story in a fresh direction.

I’m a plotter, and I like to outline chapter by chapter. I use pen, paper, and colored pencils, but sometimes I plot in a Word doc. I try to follow my notes exactly, but more often than not, the characters take control and steer my story in another direction. Beyond the initial plot issues, Rubén and Drina were pretty well-behaved. I didn’t have to get into a lot of arguments with them or force them to follow my painstakingly plotted outline, as I’ve had to do with other characters in other stories. It’s always a relief when my H/h play ball.

Who am I outside of writing, you might ask? I’m not sure I know. Writing is my life. As soon as I wake up in the morning, I’m on my laptop, researching, editing, or writing something fresh. When I’m brain dead from that, I like reading, hiking, binge watching my favorite TV shows, digging in my herb beds, and playing with my cats. Though, usually, I’m writing with a cat snuggled up beside me, so I’m always spending time with the furballs. I’m married to a supportive man who loves cooking (lucky me!), though I can’t get him to sweep the floor to save my life. Haha!

Today is the release day for Lost in His Spiderwebs, and I’m super excited. It’s my 20th published work to date. That’s right. The big 2-0! I’m already working on the next book, Corrupting His Wife, which is currently in the draft phase. The Lozano Cartel series will span several standalone novels, so be sure to subscribe to my newsletter or follow me on social media to stay updated. In the meantime, add Lost in His Spiderwebs to your reading list. You don’t want to miss it!

Amber Daulton is the author of the Lozano Cartel, the Arresting Onyx, the Embracing You, and the
Ramseys in Time series, as well as several standalone novellas. Her books are available in ebook, print
on demand, audio, and foreign language formats. She lives in North Carolina with her husband and demanding cats. Follow Amber at https://linktr.ee/AmberDaulton

Kidnapped by the enemy. Bought by the jefe. Will his smoldering touch thaw her frozen heart?
Rubén Lozano, the new leader of the Lozano Cartel, craves peace amidst a legacy of bloodshed and
death. He never expected to find his ex-lover, Drina Cabrera, in the clutches of his vicious rivals. Her
haunted eyes compel him to rescue her, but freeing her is another matter.
After five months of captivity, Drina trades one captor for another. Though she succumbs to Rubén’s
masterful touch, the bittersweet memory of her daughter and the life she was stolen from is a constant
wedge between them.
When Rubén’s darkest secret comes out, he will have to wash his hands in crimson. Will Drina let her
king face the danger alone, or stand at his side as his cartel queen?

Should you repeat a writers conference?

Posted on by Chelsey M. Ortega

In June 2023, I took the opportunity to attend my first educator’s conference with my administrators and several other teachers. The conference was in Austin, Texas. I’d never been to Texas before, so that in and of itself was motivation enough to accept an everything-but-meals-and-activities paid trip. About halfway through the conference, one of my colleagues said that he’d attended this exact conference with his previous school a few years prior, and the sessions and keynotes were the exact same. So he spent the week picking sessions he didn’t pick last time, or just enjoying himself in a city he’d never been to. Six months later, that same conference came to Salt Lake City, Utah – an hour north of us. Those of us who went to Austin saw no reason to attend again. So, the teachers who didn’t go to Austin, went to the Salt Lake sessions.

An editing software that I use hosts several online conferences each year for different genres. I religiously attended for a couple of years, and I noticed that they had the same presenters teach the same session for the topics of marketing, plotting, and different world building and editing programs. After the third repeat, I stopped attending those sessions.   

With that being my introduction to conferences, I struggled in deciding if attending the Quills Conference two years in a row would be worth it. 

It was.

First of all, the sessions were completely different. There were new presenters that were not there last year, and returning presenters taught completely different classes – or different enough, that it didn’t feel like a repeat. 

The networking opportunities were different as well. In fact, if my memory serves me correctly, there were more networking opportunities this year. 

Some things remained the same: pitches with agents and editors, headshots with a professional photographer, and banquets featuring three keynotes speakers (though the keynote speakers were different).

Overall, I learned plenty of new information, connected with new writers, reconnected with writers I only get to see at the Quills and Pre-Quills, and had an enjoyable break from my normal life. 

So, yes, attending the Quills Conference year after year is totally worth it. I look forward to having it be part of my summer travels each year. 

What writers conferences have you attended that you would recommend to others? Tell us in the comments!

World Building Expansion in Onyx Storm

Posted on by Chelsey M. Ortega

I have had to percolate my thoughts on Onyx Storm for several weeks. I read the last chapter on July 31st. The next day I posted a thread that said, “I just finished Onyx Storm and I am not okay”. Then I finally posted my review on Goodreads on August 3rd. And after that, I still didn’t know how I wanted to write a positive analysis for my blog because the end absolutely destroyed me. 

And I finally figured out why I’ve been struggling: 1. I thought Onyx Storm was the final book in the series for the first half of reading it, and then my hair stylist told me there’s going to be more. 2. The cliffhanger ending is too hard (for me) when the next book isn’t out yet.

Both of those issues can be pushed aside for an analysis of the actual story. So let’s dive in.

Representation

This has been going on since the first book. I really like Rebecca Yarros’s way of introducing a character’s sexual orientation, gender identity, and disability. My favorite example is with a side character whose preferred pronouns are they/them. I apologize to the super fans, but I can’t remember this character’s name. They aren’t one of the primary side characters because they aren’t on Violet’s squad, and I don’t think they’re in Violet’s wing. Whenever they are in a scene, Violet’s inner dialogue and actual dialogue call the character they/them without a big info dump on why, nor is there a side plot where other characters have to learn to accept that character as they identify themselves. They just simply exist and the acceptance was already part of the culture before page 1 of book 1. 

We see something similar with Jessinia. She is deaf. And from the moment we meet her, Violet already knows sign language. In fact, the majority of the characters know sign language, implying that it is a cultural expectation in most provinces.

Gay and lesbian characters also don’t have a coming out plot. They just simply are there and we learn their identity when they get a love interest. Which is something I’m attempting in my own writing as well. 

Several characters are supposedly persons of color, but I have to admit I didn’t catch on to Rebecca Yarros’s hints and descriptions of said characters. The only two that were obvious to me were Xaden and Bodhi. But I’m going to give her grace because I’m also still learning how to let my readers know my characters’ race in an obvious but still respectful way. The racial issues that are written into the story are more about regional differences, not skin colors. We see this a lot in modern fantasy world building, and I personally like it. It’s something I’m trying to do in my own writing as well: put in diverse characters, but the issues they face don’t surround their skin color.

Disabled characters seem to be the one exception to the culture of Navarre. Violet was born disabled, and she’s raised to believe her disability will never allow her to be a dragon rider. Which, if you’ve read the first book, you know how she overcomes that. Now, one could argue that society itself has no problems with disabled people in Navarre, they just can’t be dragon riders. But I would argue back that dragon riders are considered the elite of the kingdom, so yes, society as whole probably does look down on the disabled. We see another character, Sawyer, become disabled during a major battle at the end of the second book, and he spends the third book learning to accept his new limitations and readjusting his riding style so he can still ride his dragon and fight – just like Xaden and Tairn did for Violet. 

Overall, I think what Rebecca Yarros is doing with representation in this series is a good step toward representation in fantasy stories. I can’t speak for any of those communities because I don’t belong to any of them. I have seen some criticisms from readers who belong to those communities, so she’s not doing it perfectly. But I do think she deserves props for trying, and will hopefully inspire other authors who can learn from her example and the criticisms in their own writing. 

Government Corruption

It’s hinted very early in Fourth Wing that the Kingdom of Navarre is corrupt, and has been for centuries. What I wasn’t prepared for was the revelation that all the kingdoms Violet and Quest Squad visit are just as corrupt. It definitely made the quest for the Irids frustrating. However, we do get to learn about several other kingdoms with their people, customs, and history. I hope we get to return to some of them in the remaining books. I also think it was really intriguing to make every government have some form of corruption. It definitely made the governments more realistic and applicable to our human world.  

Travel Plot

As mentioned above, the entirety of Onyx Storm is them traveling around trying to find where the Irid dragons ended up moving to and asking other kingdoms for help fighting the Venin. And like stated above, the results are very disappointing for Violet. This is not a new storytelling technique, but it’s usually done in a smaller chunk of the book, not the entire book. At first, I was really frustrated and didn’t feel like I read a complete story. But here’s the thing: Rebecca Yarros already showed us in the previous two books that this is the plotting style for this series. A lot of craziness happens and then we end the book on a huge cliffhanger. And as mentioned above, all of that craziness introduced us to several new communities, and poses the question: Is Navarre truly the villain? Or are all the governments villainous and selfish in their own ways?

Only one resolution

There are a lot of tensions going on throughout Onyx Storm: Violet and Xaden vs. General Aetos, Violet and Xaden vs. Theophanie, characters popping up all over the place with second signets, etc. And at the end of Onyx Storm, only one resolution happens. Which was quite strategic. Because of course I want to know what’s going to happen to everyone who showed off their second signet. Of course I want to know if General Aetos will either “come to Jesus” or if he’s going to die still being an asshole. I want to know more about Violet’s hair, because after teasing us for three books about how it’s so unique, the tidbit we got in this book was not enough to cleanse my palatte.

So, yeah. I’ll be purchasing the fourth book because I simply need to know what happens. Also I love Xaden and Violet.

In the meantime, I have a YA fantasy tangent to go on. 

Romance Tropes in Iron Flame

Posted on by Chelsey M. Ortega

Iron Flame is the second installment of The Empyreon series, and it starts right where Fourth Wing left off. This sequel also ends on a major cliffhanger, and Onyx Storm picks off right where Iron Flame left off. Because of that, Iron Flame doesn’t feel like a complete singular story. Now that I’m almost done with Onyx Storm, it’s clear this series is one larger story instead of multiple parts that are connected. So, because of that, I did thoroughly enjoy reading Iron Flame and rate it 5 stars. And I have three main takeaways to discuss. 

What flaws are okay in a love interest?

Something I’ve noticed among online forums where favorite romance couples are discussed: each individual reader has their own lines in the sand on what is and isn’t forgivable among the flaws and mistakes that characters make. I had an experience with my own writing where in a set of beta readers one vehemently did not like the male love interest and was disappointed my female main character ended up with him. I did take his comments seriously, and made one tiny adjustment in one scene based on what he didn’t like. But it made me realize that not every reader is going to be okay with the choices the love interest makes, which will affect whether they root for that love interest to get their HEA or not. And that’s okay. 

For me, I had a similar issue with Xaden for a good chunk of Iron Flame. At the end of Fourth Wing he accidentally shares with Violet a pretty big secret. Violet is understandably furious that he kept something like that from her, and is even more angry that the only reason she now knows is because Xaden’s original plan went awry. At the beginning of Iron Flame, Xaden agrees to no more secrets under the caveat that Violet has to ask questions, and he’ll answer them honestly. But Violet can’t ask questions if she doesn’t know what information she’s missing. Xaden also won’t be intimate with Violet again until she says she loves him, which she won’t do until she can trust him. The two are at an impasse of Xaden’s own making. 

I have read so many romances with similar tensions where the female character gives in and the male gets his way. It creates an unequal dynamic that doesn’t sit well with me. And I was so fearful Violet was going to do the same thing. And if she did, would I still love this story? Would I enjoy reading their relationship scenes? Luckily, I was not forced to answer those questions. Both Violet and Xaden were able to compromise in a way that I found valid, and I’m back on Team Xaden. 

A new take on the jealous ex

The jealous ex causing tension and problems is my least favorite trope in a romance. So when Cat was introduced as Xaden’s ex who is still hung up on him, I was none too pleased. I was ready to throw the book across the room if Violet walked in on them and “it’s not what it looks like!” 

Lucky for me, and my copy of the book, that did not happen. Rebecca Yarros takes the jealous ex trope in a different direction that I ended up enjoying. Cat admits to Violet that she doesn’t love Xaden, she just wants what a marriage to him would provide: a crown. Xaden is the heir of Tyrrendor. Depending on how far back historians go, that makes him a duke at the lowest and a king at the highest. Cat is of royal blood from another kingdom, and Violet has no nobility in her lineage (that we know of so far in the series). The fact that Cat has no qualms with admitting her ambitions in front of an audience shines light on the culture these characters live in. Status and titles are more important than love. But like all characters like Xaden, he doesn’t care, and openly keeps Violet as his girlfriend.  

Correct representation of twenty-year-olds

Oftentimes, younger characters are depicted as much more mature than is realistic. While there are people in this world who are more intelligent and mature than is typical for their age group, the staggering number of such people as fictional characters probably doesn’t match reality. Rebecca Yarros does an amazing job of depicting people in their early twenties correctly. 

Violet is your typical brainiac main character who “isn’t like other girls.” But she also is like other girls in the fact that she falls in love quickly, overthinks Xaden’s words and actions in their relationship, and gets insanely jealous.

Xaden is the begrudging aristocrat who is thrust into leadership much too young. But he also has a temper that would get weaker characters into trouble and is willing to sacrifice the world for Violet.  

Rhiannon is a natural leader who still enjoys hookups, drinking, and partying.

Ridoc is the comedic relief who still has talent and grit that come in handy during battle. 

Garrick is the best friend who isn’t afraid to put Xaden in his place, but enjoys hook ups and flings. (Though I’m really hoping he and Imogen will end up together in the end.)

Imogen holds nasty grudges and talks back, but is fiercely loyal to her people. 

Sloan allows trauma and heartbreak to guide her emotions and choices, but shows incredible growth by the end.

Brhodi also provides comic relief and wisdom as he gives advice to Violet and Xaden.

There are many more characters to discuss, but the above are the ones I wanted to highlight for this post.

Overall, Iron Flame took me on an emotional journey that I’m still not quite recovered from. I love the world Rebecca Yarros has created, and her characters are the perfect cherry on top.

Have you read Iron Flame? What are your thoughts on it?