Author: Chelsey M. Ortega

New Release: Air & Darkness by AK Nevermore

Posted on by Chelsey M. Ortega

I am honored to introduce AK Nevermore to you. She has three series to her name: The Price of Talent, The Maw of Mayhem, and The Dae Diaries. The second book in The Dae Diaries releases TODAY. And AK Nevermore is here to tell you all about it.

Hey all! AK Nevermore here. I write seat-of-your-pants urban fantasy, paranormal, and steamy dystopian romance. What do I mean by seat-of-your-pants? Whelp, I’m a total pantser and my books are fast-paced with plenty of unexpected twists and turns. They will definitely keep you guessing, so you’re gonna want to buckle in for the ride! And today, I am super excited to be sharing my latest release from The Wild Rose Press, Air & Darkness, with you.

Air & Darknessis the second installment in the Dae Diaries, but don’t let that stop you from taking it for a spin. You can absolutely jump right into this seriously quirky urban fantasy with a sassy take-no-prisoners heroine. The story follows Envy, a half-daemon who accidentally ends up becoming a goddess, much to everyone’s chagrin—including her own. Being a deity is definitely not all it’s cracked up to be, and in Air & Darkness, neither is motherhood. It’s all about baby-daddy drama going to Hell. Check it out:

A week past her due date and not in the mood for anything other than chocolate, the last thing Envy wants to deal with is some fairy demanding she chose a consort. Unfortunately, she can’t exactly tell the Gwinth to piss off without him releasing the wild hunt on humanity, and she’s in enough trouble after the whole sealing-the-veil-and-frying-portions-of-the-planet-thing.

It’s bad enough she’s not exactly on speaking terms with Kyle, Berk, and Morgana. Brennan’s way different since she released his fiend. So is she. Assimilating Lilith’s memories and powers are throwing her for a loop, and her own messy feelings on motherhood aren’t helping. Then, Brennan disappears after a devastating scandal surfaces, and everything Envy thought she knew comes crashing down…

When I wrote Air & Darkness, I definitely pulled on my personal experience and absolute bewilderment as a new mom. Things that were terrifying at the time are pretty funny in retrospect, and I tried to craft the story to highlight their absurdity. 

I hope you’ll check it out, but if you need some more convincing, you can hang out with Envy out in One Night in Bliss, the free prequel. Not for nothin’ but it’s been reviewed as a “Hilarious, seriously f’d up good read…” and I kind of have to agree with them.

Then, if you want more Nevermore, stop by my website at: https://aknevermore.com/ There’s always something going on!

AK Nevermore writes Sci-fi & dark romantasy with spice. She enjoys operating heavy machinery, freebases coffee, and gives up sarcasm for Lent every year. A Jane-of-all-trades, she’s a certified chef, restores antiques, and dabbles in beekeeping when she’s not reading voraciously or running down the dream in her beat-up camo Chucks.

Unable to ignore the voices in her head, and unwilling to become medicated, she writes full time around a nest full of ravens. Her books explore dark worlds, perversely irreverent and profound, and always entertaining. AK belongs to a bunch of industry associations, volunteers for far too many committees, teaches creative writing, and on the rare occasion, sleeps.

I absolutely love hearing about personal stories and experiences that influence writers. I love that Ms. Nevermore used something as vulnerable as motherhood to craft her newest book. What personal experiences would you like turned into a book or a movie? Let us know in the comments!

New Release: Pieces of Blue by Liz Flaherty

Posted on by Chelsey M. Ortega

At the beginning of this month, USA Today’s best selling author Liz Flaherty released Pieces of Blue. Normally a romance author, Liz has dipped her toes into women’s fiction with her latest release, and is here to share her thoughts on her recent writing and publishing journey.

Hi, everybody. Chelsey, thank you so much for having me here today. 

I’m not sure when the term women’s fiction entered my consciousness. I don’t recall whose I read first or even if I liked it. The words Woman’s Journey had been bandied about most of the years I’d been writing romance, and I thought that’s what we should do with romance and women’s fiction—just make them into one huge glorious genre known as The Woman’s Journey. 

The idea didn’t catch on. 

But I read CurtissAnn Matlock’s Lost Highways and Robyn Carr’s Deep in the Valley and Cheryl Reavis’s Blackberry Winter and Elisabeth Ogilvie’s Bennett’s Island series. I kept thinking yes, this! They’re all women’s fiction, but they’re all love stories, too. They’re all women’s journeys and I’ve read most of them more than once. While I love the relationship that grows between the heroine and hero, I also enjoy the ones between girlfriends, between sisters, between work friends who are there for each other. The romance is important, but it’s not always most important. 

Because it’s the story that’s important. The journey. How you feel when you finish reading. To a lesser degree, as a writer, how I feel when I finish writing is important, too. 

Of course, none of that was in my mind at all when I got a two-word start that wouldn’t get off my mind and stay there. Then I had a trip back a skinny, curvy road to a small lake I’d never known existed but made me type Chapter One above those initial two words. Later still, Maggie North invited me on her journey. It took her a while, and writing it took me a while, but…gosh, I loved Maggie. And Sam. And her adoptive parents. And Pastor Cari Newland. Oh, and Ellie and the dachshund named Chloe, too. 

Pieces of Blue has some romance, a setting I never wanted to leave, and, most of all, it has friends and family and community. Their dialogue was so much fun to write. The house—the Burl—is a character unto itself. 

How did I feel when I finished writing it? Oh, good. Sorry it was over and slapping back thoughts that maybe it wasn’t over…maybe there was another story at Harper Loch. Or two.

We’ll see. In the meantime, it’s a story from the “huge glorious genre” I mentioned above. I hope you like it.

For all of her adult life, loner Maggie North has worked for bestselling author Trilby Winterroad, first as his typist, then as his assistant, and finally as his ghost writer. Throughout her first marriage, widowhood, remarriage, and divorce from an abusive husband, Trilby was the constant in her life.

When he dies, she inherits not only his dachshund, Chloe, but a house she didn’t know existed on a lake she’d never heard of. On her first visit, she falls in love with both the house and the lake. Within a few weeks, she’s met most of the 85 inhabitants of Harper Loch and surprisingly, become a part of the tiny community. Her life expands as does a new kind of relationship with her friend Sam Eldridge. She finally feels not only at home, but safe.

Until her ex-husband is released from prison. The fragile threads of her new life begin to fray, and that feeling of safety is about to shatter into a thousand pieces.

The drive took me farther into the country than I’d ever been—at least that I could remember. While the temperature didn’t drop, the wind did increase, blowing snow from the roadsides across in front of me in gusty swirls of white. I was surprised that Gladys, the elegant voice of my GPS, didn’t sound either confused or disdainful even when it took me three tries to see the little green sign that indicated Harper Loch Road.

Canopied by naked February trees and lined with animal-tracked snowbanks, the road was one and a half lanes wide. I hoped it would be wider when there was no snow, but I wouldn’t bet on it. It was hilly, with serpentine curves that reminded me of a Chutes and Ladders game board minus the ladders. Gladys didn’t enlighten me as to how far it was to the lake itself, and two miles in, I was starting to wonder if it was all a bad joke. 

Trilby had been the master of bad jokes.

A barnwood sign at the side of the road encouraged me to Keep Right! I inched over, flinching when the snowbank brushed the side of my car, my pride and joy. Chloe looked my way, wide eyed.

Apparently, it was a popular meeting spot on the road, because I met a pickup immediately, going at least twice as fast as I was. The driver waved cheerfully and missed me by what I was certain was the hair’s breadth Trilby used to insist was purple prose if used in a book. I would have waved back, but my hands, white knuckled, didn’t want to let go of the steering wheel.

“Trilby,” I said, “what in the hell were you thinking?”

Pieces of Blue is available everywhere books are sold online:

https://books2read.com/FlahertyBlue

https://a.co/d/eyEjPDA

Liz Flaherty has spent the past several years enjoying not working a day job, making terrible crafts, and writing stories in which the people aren’t young, brilliant, or even beautiful. She’s decided (and has to re-decide most every day) that the definition of success is having a good time. Along with her husband of lo, these many years, kids, grands, friends, and the occasional cat, she’s doing just that.

She’d love to hear from you at lizkflaherty@gmail.com or please come and see her at  https://linktr.ee/LizFlaherty 

What Catches a Reader’s Eye? A Reflection on how people find and choose books.

Posted on by Chelsey M. Ortega

One day, during my sophomore year in high school, a classmate grabbed my arm and said, “I just finished the most amazing book, you have to read it!” That book was Twilight  by Stephenie Meyer. I trusted this classmate’s opinion, asked my mom for the book, and it ended up being my Easter present that year. I read it in one day, bought the second one and read that in one day. Then I had to wait a couple months for the third, but I was hooked. 

Two years prior to that, in eighth grade, a friend of mine found her mom’s copy of The Notebook by Nicholas Sparks, read it, and passed it around to the rest of our group. She had us write our names inside the front cover when we finished it to make it our own “sisterhood of the traveling pants”, but with a book. From there, I sought out other Nicholas Sparks’ books (Safe Haven is my favorite). 

That same year, I checked out a copy of A Dance for Three by Louise Plummer from the school library, and recommended it to my friend. She checked it out next and loved it so much, she made her mom hunt it down so she could own a copy. (And let me tell you, that book is hard to find in a traditional bookstore. This was 2004.)

What is the common denominator in those three tales? Word of mouth. Most of the books I have read, I came across via recommendation: a friend, a family member, maybe facebook ads, etc. And according to many blogs, podcasts, and seminars; word of mouth is still the best way to sell books. 

Even so, authors are also told that online reviews are important because the algorithms on those websites recommend books that have a lot of reviews. But even though that’s what the algorithm does, is that really how potential readers find books? And do readers read reviews before deciding whether to read a book or not? 

I created a Google Forms survey, and 76 people responded. Here are the results:

What helps you learn about and choose to buy a book? 

*Note: This was a “Check all that apply” question, so all numbers together will go beyond 76

Recommendations from family and friends58
Window shopping in brick and mortar bookstores 36
Online ads (i.e.facebook, instagram, etc.)18
“Also bought” on Amazon19
“Readers also liked” on Goodreads12
Searching a preferred genre/trope on Amazon27
Other25

Surveyors got to type something if they clicked other, and here are the common “others” summarized into general categories:

  • Book influencers/reviewers on Instagram, TikTok, and blogs
  • Websites like Bookbub
  • Libraries
  • Events like festivals
  • Book clubs
  • Gifts

So, like my own experiences, most people still rely on recommendations from trusted people. But a decent number of people are also using the internet in some capacity (Amazon, social media, etc.)

Forms response chart. Question title: Do you read the reviews on sites like Goodreads or Amazon BEFORE buying a book?. Number of responses: 76 responses.
Forms response chart. Question title: If you read the reviews, do they affect whether you buy the book or not?. Number of responses: 75 responses.

These next two responses totally threw me. Because I don’t read reviews before buying a book, I erroneously assumed most people were like me. And this has completely turned my marketing world upside down. 

Forms response chart. Question title: What number of stars do you personally think is a positive review? (check all that apply). Number of responses: 76 responses.

I was not surprised by these results. For me, 3 stars means that I enjoyed the book enough to finish, and I don’t regret spending my money on it. So I consider 3 stars a positive review. But at the same time, I know on the marketing side, you don’t choose a 3 star review to highlight. You choose 5 star reviews to highlight. 

At the end of the survey, I provided space to type anything they wished to add, since I often struggle with multiple choice, because I want to explain my answer. With respect to transparency, I did use AI to help me find commonalities in the 49 responses, and come up with categories based on those commonalities. AI discovered 5 categories, and as I went through them, I deleted two of AI’s category and created a two of my own, moving some of the responses around to the following:

Category 1: Preference for Cover, Blurb, and Initial Impressions – 14 people expressed this was important to them in selecting a book.
An attractive cover and a strong blurb on the back will get my attention. I’ll read a page or two (unless it’s by an author I’m already familiar with) to see if they can get my interest. It’s rare that I will read a review first.
By far the first thing that gets me to look at a book is the blurb and a cover, and from there, I will look at reviews or recommendations before I decide to buy.
Sometimes I get recommendations from word of mouth, but not often. 95% of the time, I’ll see an ad on FB or IG. If the blurb is interesting, I’ll click on it and go to the Amazon page and read through that. If it still seems worth getting, I’ll read the sample. If it still seems good, I’ll get it on Kindle Unlimited. If I absolutely love it, I’ll buy the ebook. Even rarer, I’ll buy the physical copy. Occasionally I’ll buy books not on KU, but that’s even more rare. That only happens when an author I already trust has a new release. And right now, that’s…. one, but used to be two. But I stopped liking that author’s books, so it seemed silly to spend money on a book when it was a “maybe I’ll like it.”
I usually choose a book based on the blurb, the cover, and the genre.
Cover and genre recognition are big factors for me – the “catch your eye” thing.
I read the synopsis or hook that is on the back or inside of the cover of the book to see what it’s about most of the time and if it captures my attention then I read it. A quick little summary of the story over reviews is usually what helps my decision more than book reviews. How I find out about the book is in all sorts of ways, wandering through bookstores, Amazon, Facebook, and every other way to find new books.
Most times it’s the blurb. If it reads like it’ll be an intriguing story, I’m in.
Cover and blurb is what usually leap out at me. Also read the first pages.
Excerpts on Facebook ads and catchy stock pics or video grab my attention.
Cover art then blurb.
I read a few reviews, but they don’t carry much weight. I mostly rely on the sample pages. If they grab me, I buy, if not I pass for now.
I usually read the jacket cover before buying.
I rarely read reviews because I like to make up my own mind. I look at the cover, read the blurb, read the author’s info, and read the first couple of pages.
If a book catches my eye, I read a page or two of the preview. If it intrigues me and is not full of typos, grammatical infelicities or clunky writing, I’ll buy it.
Category 2: Number of Stars Matters – 5 people explained how they use stars and averages to help them decide whether to read a book or not.
I would select a book with four stars and above. If there are a lot of reviews, I don’t pay attention to negative ones since it may just be a personal opinion.
If there’s a few 1 or 2 star reviews but the rest are 4 and up, I usually disregard the lower reviews. It’s simply the taste of the reader. I sometimes seek out books because of something I’ve heard or read in the media about a book or author. For instance, I recently read my first Emily Henry book because of an article I read online.
Sometimes reviews affect whether I will purchase a book, but if a book has been recommended by someone I know personally, that would have more weight, even if the reviews aren’t outstanding. I’m also more likely to look at the number of reviews and the average rating than to read individual reviews.
I use book reviews, but I don’t read them. Spoilers being what they are, I don’t want anything to color my expectations. If a book has a 3.5/4+ out of 5 stars, and a number of reviews north of 10, I’ll likely pick it up.
I think any number of stars is a positive review. It really depends on what the actual review says. After all, you can give a 5 star review, but then in the post, the reviewer can list more negative things they thought about the book than positive.
Category 3: Mixed Feelings or Limited Reliance on Reviews – 7 people shared their reluctance to trust reviews 100%.
I take all reviews with a grain of salt. I usually never agree with movie reviews. I do look at the reviewer’s bio information, if any, such as age and gender. I really try to take information from multiple sources.
I read the reviews, but if the blurb and book cover attract my attention, I will make up my mind based on what I think, not what a stranger says.
I rarely read reviews because everyone has different tastes and the people who write reviews tend to be the angry rude people. I don’t like to support that kind of negativity toward someone’s art. More often than not, I have a different opinion from the reviewers, so it does me no good to read them first.
I don’t always read reviews, especially if I’m familiar with the author’s work. Reviews are just opinions, and whether or not I buy a book depends on if it sounds interesting to me, and is the type of story I like to read.
I dislike and ignore the value of 1- or 2-star reviews without text. I think Amazon does a disfavor to authors when they allows this type of review since it pulls down your score with no reason why the book was rated so low. For example : “2 star – Clear filter – 1 total rating, 0 with reviews” – Are these trolls?
Reviews are all over the map. Often the text doesn’t match the number of stars I would think it merits. Some get low stars because the Reviewer has an axe to grind like doesn’t one of the characters because they are multiracial or something that has little to do with the quality of the story. I rely a lot more on friends and family recommendations.
I’ve worked in the publishing industry as a marketer and am wary of the techniques used to sell books, many of which are hollow and baseless, including book reviews. A positive book review is practically a given to most reviewers who receive a free copy.
Category 4: Looking for specific info. in reviews – 9 people said that the purpose of reading reviews is to look for specific good or negative hints on whether the book will be worth it.
I tend to read the actual review rather than just go by the star rating. I will disregard one or two negative reviews (there is always someone who likes to destroy an author’s confidence) but if there are a lot of negative reviews saying a similar thing, I will probably pass on it.
There are certain things that really bug me when I read books, and if reviews mention any of those things, I tend to avoid the book. Sloppy prose is one of those things. Most books I read nowadays are on Libby, but I will occasionally buy a book if I want to read it sooner than it will be available to check out.
I depend heavily on reviews to decide whether to try a book by an author unfamiliar to me. A well-written review will give me a general idea of the plot and tell me whether I would probably like the book. Even if the reviewer disliked it, a good review will explain lucidly exactly what the reviewer disliked — and it may be a feature that would appeal to me. For example, if a review complains about a story being too “slow,” with too much dialogue and not enough action, I know I’ll probably enjoy it.
I like when recommendations or reviews compare the books to other popular books or series that I may have read
I’ll look at reviews depending on how I found a book. If it’s an online recommendation I don’t know anything about, I’ll always read a review. If it’s the author or a friends recommendation, I’ll never read a review.
I read the reviews to see if they tick any of the boxes of my likes and dislikes. For instance, I won’t read/buy a book with a cliffhanger ending, and I’m leery of books with poor editing.
Book reviews give me a better idea of what the book is about. Blurbs aren’t always great.
Re reading reviews, I read them sometimes, but if I’m in a physical bookstore I wouldn’t. When reading a review, I don’t take it for being 100% accurate but allow for any bias I see creeping in. I like a reviewer who spells out what sort of reader would like a particular book and what sort might not.
I often read reviews after I’ve started reading a book, particularly one I either love or hate just to see if other people thought the same.
Category 5: Reliance on Recommendations or Familiarity -11 people explained they have specific trusted sources to help pick their next book.
I often take recommendations from the Today Show.
If I have read and enjoyed something else in that author’s backlist, I will often be on the lookout for a new release. I will sign up for their Bookbub or to follow them on Amazon.
There are certain authors I follow and their books are usually the first I gravitate toward. Also, many of the books I read are the next month’s selection for my book club. Before choosing a book, I read a few of the reviews, both the good and the bad, just to get other peoples’ opinions. What the reviewers liked/disliked may not be what I look for in a book, so I won’t not read a novel based solely on someone else’s rating. I then read the blurb and the first couple of pages and give a thumbs up or down based on how I like the book’s opening.
I sometimes read reviews from instagrammers with similar taste in books.
I am more likely to read a book based off recommendations of people I know than reviews, but I do read reviews periodically, and factor them into my considerations.
Authors I follow
I choose books when I see an across the board popularity
I don’t always read reviews, especially if I’m familiar with the author’s work. Reviews are just opinions, and whether or not I buy a book depends on if it sounds interesting to me, and is the type of story I like to read.
As a former librarian, many of the patrons I talked with chose books to read based upon book cover, familiarity with the author, recommendations by library staff and viewing displays in the library. As for reviews, I am somewhat cynical about Amazon and other larger online entities because many of the reviews appear to be a trade (I will give you a good review if you give my book a good review) or manipulated by larger publishers to get their books out there–to make money, of course.
I am generally searching books by favorite authors. I also tend toward books carried by my library. Ebooks there are acquired through Amazon.

Final Reflections

To be honest, I did not get the results I wanted and thought I would get. Reviews really are just as important as all the marketing articles and webinars have been telling me. But I think I needed this wakeup call. One of my weaknesses is I can get prideful and not accept information if it doesn’t match my personal life. I’m going to have to do some soul searching for my next marketing endeavor. 😂

What responses stuck out to you or surprised you?

Anything you connected with or feel like it didn’t match you?

How do you choose books?

Let me know in the comments! 

New Release: Cruel Charade by Alana Lorens

Posted on by Chelsey M. Ortega

Alana Lorens’ latest Mystery-Thriller released last week: Cruel Charade.

First allow me to introduce Alana, a seasoned author by many names:

*

Alana Lorens (aka Barbara Mountjoy) has been a published writer for over 45 years, including seven years as a reporter/editor at the South Dade News Leader in Homestead, Florida, after working as a server, a pizza maker, and a floral designer. She writes non-fiction, romance, adventure, and suspense novels. She is the author of the Pittsburgh Lady Lawyers series, which draws on her years as a family law attorney in the state of Pennsylvania. One of the causes close to her heart came from those years as well–the fight against domestic violence. She volunteered for many years at women’s shelters and provided free legal services to women and children in need. Alana resides in North Carolina, and she loves her time in the smoky blue mountains. She lives with her daughter, who is the youngest of her seven children, and she is ruled by three crotchety old cats, and six kittens of various ages.

Now, on to Cruel Charade. Alana, introduce us to the story, world and characters.

Miami in the 1990s was shiny and glitzy, loud and tropical, and often dark and deadly. Star Island has as many criminal masterminds as old moneyed-families, and the average person on the street could get killed for the price of a hit of crack cocaine.

In this world, we find Bet Lenard, who until recently was a family law attorney, married to Richard Lenard, a powerful local attorney practicing criminal defense law. This couple had a home in the Redlands, enjoying the best of Dade County living with their two teenagers, Jane and Jeremy. 

But Bet has a mysterious illness that leaves her constantly in pain, which her doctors can’t identify and even attribute to her mind. Since she cannot work and cope with the pain, she turns to alcohol, which drives a wedge between her and the family. Richard files for divorce, blaming her for the break-up.

When she finds herself in the Everglades one night, she realizes her life is out of control. Reluctant to accept help, because she doesn’t know who to trust, she must peel back the layers of the onion of her life to discover who wants her dead. A sympathetic police detective may be a friend. Her long-time therapist?  Is it a knowledgeable doctor who has a lead on her sickness? Could her estranged husband and children be of support? Perhaps there is no one, and she is doomed to fail.

What inspired your story?

In this book, my daughter Bethany suggested it would be interesting to begin a scene with the Five Things—many people have become familiar with the technique as they have gotten into counseling, etc. So I wrote the first chapter, and her comment was, “Well, that got dark fast.” Haha. But she was right—it was a great place to begin.

And of course I practiced law and lived in deep south Florida for a decade (Homestead, pre-Hurricane Andrew) so I have a background in the area.

Give us a brief look at your writing process. Are you a plotter or pantser? How much time did you spend on this project? What is your writing schedule like?

I’m about half and half. Usually I begin with an idea, or a character and get about halfway through, then begin to draw out final arcs. Most of my books take about six months. This one I worked over two years before getting a contract. I polished and polished so it would be right. I’m a night writer as well, so I confess there are some nights I wrote until the wee hours and some nights I just crashed. 😊

Who are you outside of writing?

A crafter, a mom to a grown daughter on the spectrum, a warrior against autoimmune disease, and a gardener—this year we are growing 14 kinds of vegetables, from potatoes to shishitos to tomatoes, along with thyme, lemongrass and catnip to support our clowder of nine.

Follow Alana and check out Cruel Charade at https://alana-lorens.com/

Miami attorney Bet Lenard has had a rough year. She’s battling an unknown illness that drives her to drink to cope with her pain. Her lawyer husband has divorced her and taken the best part of their business, their home and their children. 

On the night of May 16, 1996, Bet finds herself in the Everglades in the middle of the night, drugged, lost and next to a burned car with a dead body in it. Hoping she’s hit bottom, Bet must drag herself out of her living hell and discover who tried to kill her. Was it her ex-husband, not satisfied with stealing everything that mattered? An angry client, unhappy with the outcome of their case? Her best friend’s husband, livid that Bet’s restraining order kicked him out of her life forever? Police officers fuming that Bet helped a client convict a dirty cop who was their friend? She has no idea. 

As she tries to sort out the motives behind her would-be killer, even more suspects come to light. The only thing keeping Bet sane is her relationship with her therapist, who encourages her to struggle and survive, despite everything that’s gone wrong. How will Bet discover the truth and bring her enemy to justice before they strike again and, this time, succeed?

Meet Elizabeth Packard: Women’s Rights Activist

Posted on by Chelsey M. Ortega

Elizabeth Wells Packard is not on the list of “25 of the Most Influential Women in American History” She’s not on the list of 41 women, 50, or even 125 women. But her name needs to be known. And you need to know what she did for you, your mothers, your wives, your sisters, and your daughters.

On a recent trip to Barnes & Noble, this title caught my eye:

After reading the blurb, I didn’t hesitate to purchase this gem of a biography. Kate Moore weaves an emotional and beautiful narrative of Elizabeth Packard’s strenuous life during the 1860s. A woman whose only crime was to have a different religious and political opinion from her husband. Such absurdity at the time was medically considered insane, imprisoning Elizabeth behind the walls of the Jacksonville Asylum. Elizabeth spent several years trying to get out, and once she was out, she was not done fighting. Her next goal was to get the laws changed that put her there. Ms. Moore writes in the style of narrative nonfiction, giving us the facts in the form of a story. My blood boiled for the majority of the book, but Elizabeth’s triumph made the emotional rollercoaster worth it.

So, let’s meet Elizabeth Wells Packard. (Note: Everything written below comes from what I learned in Kate Moore’s book. All credit for deeper research goes to her.)

Elizabeth married a man fourteen years her senior – which wasn’t a cause for raised eyebrows at the time, but certainly led to her husband’s erroneous belief that he could spend his marriage days controlling her. 

Theophilus Packard was a preacher, which allowed Elizabeth a religious education. Shouldn’t the preacher’s wife know the Bible? In her studies, Elizabeth went beyond her husband’s teachings and explored other philosophies (this is at the tail end of the Second Great Awakening, afterall). Elizabeth thought it would be okay to share her new thoughts in her Bible Studies class. What Elizabeth didn’t know was Theophilus was receiving pressure from his financial backers to preach certain agendas in the wake of the looming Civil War. (Isn’t communication in marriage a beautiful thing?) Those agendas were the exact opposite of Elizabet’s new beliefs.

As tensions in their home rose, Elizabeth left her husband’s church, and began attending a church across town. This was the final straw for Theophilus. He locked Elizabeth in the nursery, and got two doctors to sign a certificate stating that Elizabeth was insane. On the day he planned to move her, he sent their 6 children on different errands and to different babysitters so they would not see their mother cartered off, and so the older ones could not come to her defense. He then brought in several trusted minions to manhandle Elizabeth out of her home, to the train station, and onto the train. Elizabeth was smart. She knew if she fought, then the unintelligent society she lived in would believe her insane. So she remained calm, stoic, and gave her kidnappers her dead weight as they carried her through the town. 

Theophilus accompanied Elizabeth to the Jacksonville Asylum in Illinois, and after dropping her off, would not see her again for quite some time. Theophilius placed her in the hands of the resident doctor, Andrew McFarland.

Dr. McFarland was smarter than Theophilus. After meeting with Elizabeth, he led her to believe that he did not think her insane, and that she would be out in a few months. During those few months, Dr. McFarland met with Elizabeth every day, letting her talk herself into a deeper hole (unbeknownst to her). 

According to Dr. McFarland, Elizabeth was not insane due to her religious beliefs. She was insane because she hated her husband. A sane woman would obey her husband. A sane woman would love her husband. A sane woman would forgive her husband for putting her in an asylum and agree to obey him in order to be released from the asylum. Elizabeth would do no such thing, so she remained there for about three years. 

During her time there, Dr. McFarland tried to break her by preventing her letters being delivered (both written to and by her), taking away her nice clothes, books, and writing supplies, and eventually moving her to the worst part of the hospital for women: 8th Ward. While in 8th Ward, Elizabeth experienced emotional abuse from the staff, and physical abuse from specific patients (these were the only patients that Elizabeth truly believed were insane). She also witnessed horrible physical abuse given to the other patients. 

Elizabeth was really good at making friends. And so, over time she was able to convince staff members to sneak her reading and writing materials into her new room. And during this time she wrote two full length books. One was all about the sins of Dr. McFarland, the other about the problems of her modern-day mental health system, religion, and women’s rights.

Elizabeth requested a meeting with the Board of Trustees, and was surprisingly granted a presentation with them. Dr. McFarland came, and so did Theophilus. But just like with the other patients and staff, Elizabeth won the Board over, and they commanded Dr. McFarland to release her within the next few months. Her release date came and went, but Elizabeth continued to write and pester Dr. McFarland. 

Eventually, Dr. McFarland admitted she was more bothersome inside the Jacksonville Asylum than he could handle, and he released her. Theophilus dropped her off with her cousin and forbade her from visiting him and their children. Elizabeth planned to do no such thing, and took out a loan from her friends to take a train to her hometown. She walked right into her old house, and it was a giant mess. Her only daughter was forced to become a homemaker at 11 years old, and is now a traumatized 14 year old. Theophilus had brainwashed their children against her, and they would only obey their father. Elizabeth became an invisible nuisance in her own home. 

Theophilus locked her in the nursery again, and she discovered he’s preparing her a place in another asylum, this time, for life. If she enters those doors, she isn’t coming out until she is dead. Her friends got the legal help that was denied her three years prior, and her sanity was officially on trial in the county court. 

This is one of the most amazing court cases I’ve ever read. And I can’t do it justice. Just read the book. In the end, Elizabeth won. She won against all those men who wanted to lock her away for life. BUT she is only free in the state of Illinois, and Theophilus still has legal control over their children. Ever the sore loser, Theophilus took off with their children and moved to Massachusetts. 

Elizabeth would then spend the next several years lobbying state government after state government to get the laws changed across the country. After another showdown with Dr. McFarland, she was successful. And because of Elizabeth Packard, women cannot be placed in asylums just because their husbands wish it. Because of Elizabeth Packard, women received a huge step in progress to their legal rights over their mental health and personal property. Because of Elizabeth Packard, the treatment of mental health patients started the process of improving. 

Elizabeth would get reunited with her children, and begrudgingly, her husband. They never divorced, but they also remained in separate dwellings for the rest of their lives. They stayed cordial in order to both have access to their children. The two books Elizabeth wrote while imprisoned got published and she lived off the sales of those popular volumes and the charity of her adult children. She is an amazing example of determination, passion, and perseverance.

Have you read about Elizabeth Packard before? What are your thoughts on her accomplishments? What other biographies would you recommend? Let me know in the comments!   

What YA Stories Can Teach Us: The Haunted Purse

Posted on by Chelsey M. Ortega

I’m currently reading the Junie B. Jones series to my 6 year old (I know the title says YA, I have a point, I promise), and my adult eyes view Junie B. in a whole new light. It makes me sad that almost every adult in her life is so impatient with her and jumps to punishment right away instead of finding the root cause of Junie B’s behavior. There are two adults who treat her well and actually listen to her: Principal, and Grampa Frank Miller, but talking about those two is for a different post. 

Like with fiction’s funniest kindergartener, I’ve had a different reading experience with YA stories now that I’m a parent and I teach high school. And I’ve started to see three common messages in the recent YAs I’ve read: how adults treat teenagers is important, see something-say something, and honesty really is the best policy. 

As I dive into these lessons, I would like to use The Haunted Purse by Kimberly Baer to dive deeper into these themes. 

First, let’s get you on board with the plot and characters of The Haunted Purse.

Libby Dawson is our main character. She is a 15-year-old Sophomore, and her story begins during the second half of the school year. She just purchased a new (to her) purse from her local thrift store, and her purse keeps making things disappear. After she sweats for an hour or so, her purse will magically return it. This Mary Poppins purse causes problems between Libby and her Physics teacher, and Libby and her mom. On the flip side, the purse also helps her overcome her bullies and protects her from an assault the school’s heartthrob has planned for her. 

Libby eventually figures out that the purse is not magic, it’s haunted. The ghost of the previous owner has possessed the purse, and she wants Libby to solve her disappearance and murder. One big problem: this is a cold case from over twenty years ago.

Libby’s best friend, Toni, gets to witness the purse in action and happily becomes Libby’s sidekick in solving the case. The two girls put themselves in dangerous situations, leading to Toni getting grounded for the rest of the summer, and now Libby has to finish the case by herself – which ends up being more dangerous than Toni’s ridiculous idea that got her grounded. 

Now that you’ve got a feel for the story, let’s dive deeper into our three messages.   

How educational professionals treat each student is important. 

The opening scene is Libby losing her position as her Physics teacher’s “favorite student”. An essay is due, and Libby has to tell her teacher, “My purse ate my homework.” Her teacher doesn’t believe her, and embarasses her in front of the whole class. At the end of the class period, the purse returns the essay to Libby, and she tells her teacher she found it and asks if she can turn it in. Her teacher says yes, but the damage is done. She stops treating Libby with respect and compassion. Libby is the narrator for her story and informs the reader that this teacher is obsessed with being the fun teacher for the popular kids, plus has a few prized academic students. Libby used to be one of those prized academic students, but after this one mistake, she’s now a peasant, especially since the popular kids already bully Libby. 

I had a teacher like that in high school. Not to the extent of bullying students, but he was focused on keeping the popular kids entertained, and it caused him to let the rest of us fall through the cracks. 

In another scene, Libby is planning the rest of her high school career with her school counselor, and he is very condescending about Libby’s socioeconomic status. He basically tells her that her only chance of going to college is to be a straight A student so she can get scholarships. While what he said was factually true, Libby already knew that about herself, his delivery was so gross and judgmental. 

So, the takeaway from these two scenes is that teenagers – and young people in general – are very aware of their surroundings. They can absolutely tell how adults feel about them. And adults who have a stewardship role over minors need to be a safe person.  

See something, Say something.  

A big part of Libby’s character arc is that she is “the girl who raised herself.” Libby’s mom, Misty, had her when she was a teenager, and Libby has never known her biological father. Misty did not want to be a mom that young, and resented Libby for taking away her young adult years. So when she meets a man who claims he doesn’t like kids (at least, that’s what Misty tells Libby – I have my own theory), Misty moves in with him and leaves Libby in their apartment. Misty stops by occasionally to give Libby money for groceries, rent, and other bills; but other than that, Libby is literally living by herself. The entire apartment complex knows this, and no one does anything about it. Libby doesn’t want to end up in foster care, so she is fine with everyone else’s silence. But no one caring about her whereabouts is going to be a problem when she finds herself at the mercy of the villain.

Obviously, the plot would not have gone the way it did if one of Libby’s neighbors called social services the minute Misty abandoned her daughter. But in real life, these kinds of situations are not okay.  

Honesty really is the best policy.  

Almost all of the characters lie at some point. Most of them are lies by omission. The one I want to highlight, I’ll have to be vague on because it’s part of the resolution. So one of the characters who was close to the ghost when they were alive blames themself for the victim’s disappearance. They knew the ghost (when she was alive) was doing something they weren’t supposed to, and kept their secret for them. Twenty years later, they’ve still kept that information a secret because they feel so awful. Like most blame plotlines, if they’d confided in at least one other person, they would have learned everything was all right, and they weren’t responsible. 

We all need at least one person whom we can be completely honest with. 

So with these common lessons in YA stories (and let’s be honest, most stories), the plots would not be as developed and the stories would be over too quickly if these types of mistakes weren’t made. But the lessons learned from them are great for real life.

And this is one of the many reasons that The Haunted Purse is a worthy 5 star read. The story is intriguing, the characters are realistic and relatable, and the lessons learned are applicable. 
Have you read The Haunted Purse? What were your thoughts on it? What other stories like it would you recommend? Let me know in the comments!

How to Put a Ghost in a Romance: Bound Across Time

Posted on by Chelsey M. Ortega

Four years ago, I learned the rules of romance writing. There are two very important requirements for a story to be considered a romance:

  1. The main plot must center around the relationship between the love interests.
  2. It must end with a Happily Ever After or Happy For Now. 

I struggled with rule #2 for about a year (check out how I overcame that in a previous blog post), but once accepted, I had a big question: How do you make this work with ghosts? If one half of the couple is a living person, and the other half is a ghost, how are they going to have an HEA?

Part of my confusion came from reading an incorrectly labeled paranormal romance. First off, the main plot was not the relationship with the (ghost) love interest; that ended up being the side plot. Second, the main character is not reunited with their ghost love interest until decades after the main story ends when they die of old age (think the reunited scene of Jack and Rose in Titanic). That didn’t really feel like an HEA to me. 

So, like the emotional teenager I sometimes act like, I stayed away from ghost stories until Bound Across Time by Annie R. McEwen fell into my lap. This is a paranormal romance worth reading.

Let’s start with our living character, our female main character: Celeste Gowdie (a.k.a. CeCe). CeCe’s mother died when she was young, and she was raised by her aunts in the U.S. state of Georgia. CeCe doesn’t know who her father is (this is important for one of the reveals toward the end). She studied history in college, and is working in St. Rhydian’s castle in Wales when the story begins. CeCe wants to be taken seriously as a real historian, but she ends up being the American tour guide who gets to research and share ghost stories to the patrons. 

Patrick O’Loinsigh is the bastard son of one of the historic Lords of the castle. He was born in Ireland in the 18th Century, educated in Paris, and forced to move to his father’s castle during his early adult years. His father used him to do his dirty work since Patrick wouldn’t be inheriting the title. Patrick is murdered by his half brother, and his spirit spends the next few centuries hanging out in the in-between waiting for the living soul who matches a prophecy meant to free him.

Patrick and CeCe have a meet-cute of epic proportions. Patrick lures CeCe to the top of the tallest tower by turning on a battery operated candle. CeCe can’t lock up the castle and go home until all lights are turned off. So after a literal hike, CeCe comes across a handsome man in 1700s clothing. Patrick scares CeCe so bad that she faints. 

It takes CeCe several days to believe Patrick that he is the ghost of the handsome man in the gallery of the castle’s historic inhabitants. At first she thinks he’s a loiter pretending to be Patrick O’Loinsigh. But when she finally believes him, she falls, and she falls hard. 

The local witch coven gets involved, CeCe’s aunts get involved because… family secrets! (That I’m not going to spoil.) Everyone wants CeCe to stay away from Patrick for her own good. Of course she doesn’t listen, and she embarks on a passionate and steamy love affair with Patrick. 

Well, it turns out that when a living person spends that kind of time with a ghost, their literal being starts to disappear. So now, CeCe and Patrick have a difficult decision to make: go their separate ways to save CeCe’s life, or research if magic can help them. 

And that’s where I’m going to leave you with this story, because you’re just going to have to read it yourself if you want to know how it ends. But the ending is soooooo worth the emotional turmoil that Ms. McEwen is going to put you through. 

These kinds of stories always have to have “rules of magic” and the rules of magic that Annie created were very cool. When Patrick and CeCe meet up, the room they are in reverts back to the way it was when Patrick was alive. When Patrick leaves, the room returns to its modern-day look and feel. When they are together, they are neither in the past nor present – though they are closer to the present, because humans could hear CeCe if they came by the room. 

There also appears to be two different “types” of magic. There’s a traditional witch who can cast spells and make potions and such. Then there are people born with “gifts”. CeCe is born with a gift that allows her to see and hear Patrick in the first place. (For more details on that, read the book!)

And to finish off this review, here is a Q&A with the author herself:

In your planning, what came first: a story about witches? Or a story about ghosts?

Door Number Three: a story about a castle! Because, when I conceived the book, I was living in a small Welsh town that is graced by a very old and beautiful castle. I spent a lot of time thinking about the people who passed through those halls and gardens. Were any of them still there? So, yes, I suppose the ghosts came first and everything else followed. 

What historical people, places and facts are true? What did you embellish or fill in the holes?

The town, the witches, the historian who’s forced to resort to ghost walks since history doesn’t sell, the castle, the stone circle a few miles out of town, the Welsh coast almost within sight of Ireland, the family who kept secrets, the work of people – archivists, admins, docents, conservationists – at an historic site: all those are fact-based, along with the many casually dropped references to and stories about the past as viewed by both a modern historian and a ghost who died in the mid-1700s. Beyond and embracing those is the truth of protagonist CeCe’s life and work; just like her, I’m a career historian who lived in a small Welsh town and met the astoundingly warm and quirky inhabitants, worked in the local castle, visited the stone circle. The things I changed were the ghost (whom I never met, more’s the pity) and the names and actions of both CeCe and the locals. Oh, and the color-changing cat! Always wanted one of those but, alas, mine have all been the single-color variety. 

I’m guessing Aiofe’s story is next? Do you also plan on going back in time and also telling Gabrielle’s story?

Bound to Happen (Book Two of the Bound Series) does indeed follow Aoife/Fee’s story. It involves a radical change in setting, from a tiny Welsh town to London and, specifically, Covent Garden, where Aoife has a grant to research playwrights and poets of the 1600s. She’s lured to an abandoned theater by some urban exploring chums and…Well, you’ll have to read the novel to see what happens then! But in addition to new and very different secondary characters – Aoife’s Ghana-born flatmate and her ancestor priestess Mom, along with some skeptical folks in the National Trust and Museum of London Archeology – characters from Book One re-appear, like Jana Smithbury-Tewkes (and her new color-changing feline, Rumpelstiltskin.) Through them, readers learn more about Fee’s Savannah family (still keeping secrets, as families do) and her life growing up with leathling-souler parents in 18th century Paris. As to Gabrielle Gowdie: while bits of her tale are woven into Bound to Happen, it’s in Boundless (Book Three of the series), that we hear from an aging Helene Gowdie (oldest of the original five sisters who included Gabrielle) about why and how the secret-keeping of Gowdie family began.

What’s next for your writing career?

More writing, more publishing! I’m contracted with four publishers (one in the UK, the rest US-based) for nine books, five of which are written, the rest in progress. I’m eager to push ahead with my series for the UK publisher, Bloodhound Books; it’s Victorian working class romance centered on the lives and loves of four women who work in a London corset workshop. If you liked Peaky Blinders, you’ll love The Corset Girls! I haven’t left paranormal romance behind, though; I’ve got a spine-chilling vampire romance story in Rowan Prose Publishing’s horror anthology coming out later this year. And I’m finishing a time travel historical romance set in 1910 Boston, New Orleans, and Wales. Several other WIPs are nudging me for attention, including a Regency romance comedy about the lengths to which an impoverished heiress will go to avoid an inconvenient marriage, an 1880s romance set in New Orleans’ back streets, and a novel of smuggling and love on the Kent coast in the 1740s. 

Annie R. McEwen has written a beautiful romance that brings past and present together in the most captivating of ways. She kept me guessing until the very end how the problems would get resolved. Very captivating and well-earned five stars.