fantasy

I have had to percolate my thoughts on Onyx Storm for several weeks. I read the last chapter on July 31st. The next day I posted a thread that said, “I just finished Onyx Storm and I am not okay”. Then I finally posted my review on Goodreads on August 3rd. And after that, I still didn’t know how I wanted to write a positive analysis for my blog because the end absolutely destroyed me.

And I finally figured out why I’ve been struggling: 1. I thought Onyx Storm was the final book in the series for the first half of reading it, and then my hair stylist told me there’s going to be more. 2. The cliffhanger ending is too hard (for me) when the next book isn’t out yet.

Both of those issues can be pushed aside for an analysis of the actual story. So let’s dive in.

Representation

This has been going on since the first book. I really like Rebecca Yarros’s way of introducing a character’s sexual orientation, gender identity, and disability. My favorite example is with a side character whose preferred pronouns are they/them. I apologize to the super fans, but I can’t remember this character’s name. They aren’t one of the primary side characters because they aren’t on Violet’s squad, and I don’t think they’re in Violet’s wing. Whenever they are in a scene, Violet’s inner dialogue and actual dialogue call the character they/them without a big info dump on why, nor is there a side plot where other characters have to learn to accept that character as they identify themselves. They just simply exist and the acceptance was already part of the culture before page 1 of book 1.

We see something similar with Jessinia. She is deaf. And from the moment we meet her, Violet already knows sign language. In fact, the majority of the characters know sign language, implying that it is a cultural expectation in most provinces.

Gay and lesbian characters also don’t have a coming out plot. They just simply are there and we learn their identity when they get a love interest. Which is something I’m attempting in my own writing as well.

Several characters are supposedly persons of color, but I have to admit I didn’t catch on to Rebecca Yarros’s hints and descriptions of said characters. The only two that were obvious to me were Xaden and Bodhi. But I’m going to give her grace because I’m also still learning how to let my readers know my characters’ race in an obvious but still respectful way. The racial issues that are written into the story are more about regional differences, not skin colors. We see this a lot in modern fantasy world building, and I personally like it. It’s something I’m trying to do in my own writing as well: put in diverse characters, but the issues they face don’t surround their skin color.

Disabled characters seem to be the one exception to the culture of Navarre. Violet was born disabled, and she’s raised to believe her disability will never allow her to be a dragon rider. Which, if you’ve read the first book, you know how she overcomes that. Now, one could argue that society itself has no problems with disabled people in Navarre, they just can’t be dragon riders. But I would argue back that dragon riders are considered the elite of the kingdom, so yes, society as whole probably does look down on the disabled. We see another character, Sawyer, become disabled during a major battle at the end of the second book, and he spends the third book learning to accept his new limitations and readjusting his riding style so he can still ride his dragon and fight – just like Xaden and Tairn did for Violet.

Overall, I think what Rebecca Yarros is doing with representation in this series is a good step toward representation in fantasy stories. I can’t speak for any of those communities because I don’t belong to any of them. I have seen some criticisms from readers who belong to those communities, so she’s not doing it perfectly. But I do think she deserves props for trying, and will hopefully inspire other authors who can learn from her example and the criticisms in their own writing.

Government Corruption

It’s hinted very early in Fourth Wing that the Kingdom of Navarre is corrupt, and has been for centuries. What I wasn’t prepared for was the revelation that all the kingdoms Violet and Quest Squad visit are just as corrupt. It definitely made the quest for the Irids frustrating. However, we do get to learn about several other kingdoms with their people, customs, and history. I hope we get to return to some of them in the remaining books. I also think it was really intriguing to make every government have some form of corruption. It definitely made the governments more realistic and applicable to our human world.

Travel Plot

As mentioned above, the entirety of Onyx Storm is them traveling around trying to find where the Irid dragons ended up moving to and asking other kingdoms for help fighting the Venin. And like stated above, the results are very disappointing for Violet. This is not a new storytelling technique, but it’s usually done in a smaller chunk of the book, not the entire book. At first, I was really frustrated and didn’t feel like I read a complete story. But here’s the thing: Rebecca Yarros already showed us in the previous two books that this is the plotting style for this series. A lot of craziness happens and then we end the book on a huge cliffhanger. And as mentioned above, all of that craziness introduced us to several new communities, and poses the question: Is Navarre truly the villain? Or are all the governments villainous and selfish in their own ways?

Only one resolution

There are a lot of tensions going on throughout Onyx Storm: Violet and Xaden vs. General Aetos, Violet and Xaden vs. Theophanie, characters popping up all over the place with second signets, etc. And at the end of Onyx Storm, only one resolution happens. Which was quite strategic. Because of course I want to know what’s going to happen to everyone who showed off their second signet. Of course I want to know if General Aetos will either “come to Jesus” or if he’s going to die still being an asshole. I want to know more about Violet’s hair, because after teasing us for three books about how it’s so unique, the tidbit we got in this book was not enough to cleanse my palatte.

So, yeah. I’ll be purchasing the fourth book because I simply need to know what happens. Also I love Xaden and Violet.

In the meantime, I have a YA fantasy tangent to go on.

Romance Tropes in Iron Flame

Posted on July 20 by Chelsey M. Ortega

Iron Flame is the second installment of The Empyreon series, and it starts right where Fourth Wing left off. This sequel also ends on a major cliffhanger, and Onyx Storm picks off right where Iron Flame left off. Because of that, Iron Flame doesn’t feel like a complete singular story. Now that I’m almost done with Onyx Storm, it’s clear this series is one larger story instead of multiple parts that are connected. So, because of that, I did thoroughly enjoy reading Iron Flame and rate it 5 stars. And I have three main takeaways to discuss.

What flaws are okay in a love interest?

Something I’ve noticed among online forums where favorite romance couples are discussed: each individual reader has their own lines in the sand on what is and isn’t forgivable among the flaws and mistakes that characters make. I had an experience with my own writing where in a set of beta readers one vehemently did not like the male love interest and was disappointed my female main character ended up with him. I did take his comments seriously, and made one tiny adjustment in one scene based on what he didn’t like. But it made me realize that not every reader is going to be okay with the choices the love interest makes, which will affect whether they root for that love interest to get their HEA or not. And that’s okay.

For me, I had a similar issue with Xaden for a good chunk of Iron Flame. At the end of Fourth Wing he accidentally shares with Violet a pretty big secret. Violet is understandably furious that he kept something like that from her, and is even more angry that the only reason she now knows is because Xaden’s original plan went awry. At the beginning of Iron Flame, Xaden agrees to no more secrets under the caveat that Violet has to ask questions, and he’ll answer them honestly. But Violet can’t ask questions if she doesn’t know what information she’s missing. Xaden also won’t be intimate with Violet again until she says she loves him, which she won’t do until she can trust him. The two are at an impasse of Xaden’s own making.

I have read so many romances with similar tensions where the female character gives in and the male gets his way. It creates an unequal dynamic that doesn’t sit well with me. And I was so fearful Violet was going to do the same thing. And if she did, would I still love this story? Would I enjoy reading their relationship scenes? Luckily, I was not forced to answer those questions. Both Violet and Xaden were able to compromise in a way that I found valid, and I’m back on Team Xaden.

A new take on the jealous ex

The jealous ex causing tension and problems is my least favorite trope in a romance. So when Cat was introduced as Xaden’s ex who is still hung up on him, I was none too pleased. I was ready to throw the book across the room if Violet walked in on them and “it’s not what it looks like!”

Lucky for me, and my copy of the book, that did not happen. Rebecca Yarros takes the jealous ex trope in a different direction that I ended up enjoying. Cat admits to Violet that she doesn’t love Xaden, she just wants what a marriage to him would provide: a crown. Xaden is the heir of Tyrrendor. Depending on how far back historians go, that makes him a duke at the lowest and a king at the highest. Cat is of royal blood from another kingdom, and Violet has no nobility in her lineage (that we know of so far in the series). The fact that Cat has no qualms with admitting her ambitions in front of an audience shines light on the culture these characters live in. Status and titles are more important than love. But like all characters like Xaden, he doesn’t care, and openly keeps Violet as his girlfriend.

Correct representation of twenty-year-olds

Oftentimes, younger characters are depicted as much more mature than is realistic. While there are people in this world who are more intelligent and mature than is typical for their age group, the staggering number of such people as fictional characters probably doesn’t match reality. Rebecca Yarros does an amazing job of depicting people in their early twenties correctly.

Violet is your typical brainiac main character who “isn’t like other girls.” But she also is like other girls in the fact that she falls in love quickly, overthinks Xaden’s words and actions in their relationship, and gets insanely jealous.

Xaden is the begrudging aristocrat who is thrust into leadership much too young. But he also has a temper that would get weaker characters into trouble and is willing to sacrifice the world for Violet.

Rhiannon is a natural leader who still enjoys hookups, drinking, and partying.

Ridoc is the comedic relief who still has talent and grit that come in handy during battle.

Garrick is the best friend who isn’t afraid to put Xaden in his place, but enjoys hook ups and flings. (Though I’m really hoping he and Imogen will end up together in the end.)

Imogen holds nasty grudges and talks back, but is fiercely loyal to her people.

Sloan allows trauma and heartbreak to guide her emotions and choices, but shows incredible growth by the end.

Brhodi also provides comic relief and wisdom as he gives advice to Violet and Xaden.

There are many more characters to discuss, but the above are the ones I wanted to highlight for this post.

Overall, Iron Flame took me on an emotional journey that I’m still not quite recovered from. I love the world Rebecca Yarros has created, and her characters are the perfect cherry on top.

Have you read Iron Flame? What are your thoughts on it?

When expectations are challenged: Fourth Wing

Posted on June 16 by Chelsey M. Ortega

A year ago, I wrote about my journey as a reader to loving flawed characters and appreciating how their flaws shape the story. And since then, I’ve been more aware of how a story can challenge the reader regarding their belief about the real world or literary expectations for specific genres and character types. I recently had a wonderful experience being challenged by Fourth Wing by Rebecca Yarros.

How corrupt governments are viewed by the protagonist

The first chapter already had me raising my eyebrows. It didn’t make any sense to me why the government would set up tests and challenges that could kill a citizen who is willingly trying to be part of the military. Right away my question was, “Why don’t they have some sort of magical something to catch the people who fall from the parapet so that they can pick a different career since they aren’t cut out to be a dragon rider?” And it made even less sense that those who made it into the rider’s quadrant were not only allowed but encouraged to kill their classmates. Once again, why isn’t something set up to protect their lives, but they can still fail and be sent back to civilian life? This violent and deadly setup was my first major clue that the government was corrupt.

The next early clue is the fact that children of separatists (a rebellion/secession that happened before the story started) are forced to walk the parapet and to [hopefully] die in the rider’s quadrant, though many make it through, like Xaden, Imogen, Garrick, and Liam.

But where I got stuck was Violet’s (the main character) acceptance that this is how it is. She doesn’t question it. She doesn’t want to be part of it herself, but she doesn’t view it as bad or evil, just not for her. And it took her a long time to start to question what was going on. It was very frustrating for me because there was a very clear Hunger Games vibe with many of the training, tests, and games that the riders do to strengthen themselves for war. And because of that, I erroneously expected Violet to be more like Katniss in knowing right off the bat that her government is awful.

But Violet doesn’t come from an oppressed part of the kingdom. She’s moved around as a “military brat” with her mom rising in fame and power as a war general. So, of course she’ll have a different view of things. It’s not how she starts, it’s how she ends. And in the end, Violet accepts the truth.

Whose job is it to flirt in fiction?

Violet and Xaden are both dealing with enemies-to-lovers and forbidden love tensions that make them fight their attraction toward one another for the first three-quarters of the book. Before they give in to their feelings, the reader gets 300 pages of Violet’s inner thoughts about how beautiful, muscley, and hot Xaden is. And at first, it was a little cringe for me.

Tangent time: I was in high school when Twilight came out, and I fell hard for that series. My dance coach decided to read the first book because all of us teenage girls were constantly talking about it. Her response: “I got really bored of Bella constantly moaning about how ‘he’s so hot, I can’t stop thinking about him.’” It made me laugh then, and it still makes me laugh now.

Anyway, that’s how I felt being in Violet’s thoughts about Xaden when it appeared he didn’t feel it back, yet. (Keyword: appeared)

So, Violet and Xaden eventually give in to their attraction and they have two kisses before they finally do the deed. After that, Xaden doesn’t quite say “this was a mistake” (thank Gods), but he does say they’re not going to be in an official relationship. Violet decides she has more self-respect than to be his dirty little secret, so she decides they won’t have anymore physical relations if they aren’t going to also have an emotional relationship. Xaden respects her boundaries, though he’s confident he can break through them again. During their “dry spell”, Violet continuously reminds Xaden how great they could be together and how she’s certain he does feel something for her.

During these moments I felt second-hand embarrassment for Violet. She was coming off as clingy and crazy.

But then I had a realization and metaphorically slapped myself in the face. If Violet was a male character, all of her thoughts about Xaden being beautiful and her attempts to convince Xaden to give them a try would be viewed as cute and expected for a romance. I realized I was still stuck in the society I had grown up in: the boy chases the girl, the girl does not chase the boy.

And I got to thinking about my own relationship. I offered my number to my husband first. I asked him on a date first.

So in our 21st Century of trying to retain equal rights: girls can chase the relationship if they’re comfortable doing that. And Xaden loves Violet’s confidence. 😉

Cliff Hangers

Rebecca Yarros ends almost every single chapter on various levels of a cliffhanger. Which writers have been strongly encouraged to do. You want the reader to NOT pause at the end of the chapter. But I’m not the kind of reader that needs every chapter to end that way. When the story is amazing, I don’t need a cliff hanger to convince me to keep reading. And Fourth Wing is more than good enough on its own. I’m happy when a chapter ends with temporary breaths of relief, resignation, or something more calming. In addition to that, several cliff hangers didn’t lead into the next chapter. The scene would skip several hours, days, and sometimes weeks. So It was a little frustrating when that happened. In my opinion, a cliffhanger should only happen if the next chapter starts where the previous chapter left off.

At the same time, I think I understand why Rebecca Yarros wrote Fourth Wing this way. This book takes place over the course of an entire calendar year, and we have to go through action packed military college scenes mixed with spicy romance. There was a lot to cover, and the book is already incredibly long, so some things did need to be skipped over and left up to the reader’s imagination or summarized through telling.

Overall, Fourth Wing was a wild ride that I enjoyed immensely. In fact, I’m so hooked on Violet’s journey, that I moved the sequel, Iron Flame, to the top of my tbr list. I’m 300 pages in and can’t wait to write my analysis for that one.

In the meantime, subscribe to this blog to get access to my monthly newsletter, which provides updates on my own writing.

Learning How to Read Novellas

Posted on January 13 by Chelsey M. Ortega

Before I knew that there were more differences between a novel and a novella than just word count, a lot of my reviews of novellas read like this:

“The story ended too quickly for me.”

“I would have loved the resolution to have more details.”

“I wish the ___ plot was more drawn out.”

I read dozens like that. And then, one day, it hit me: these are meant to be short, which means the plotting is going to be structured differently than a full length novel. So, I googled “What is the difference between a novel and a novella.” Endless articles have already been written, so I’m just going to summarize three* of them:

Word count: A novel is 40,000+ words, a novella is 17,500-40,000 words (I don’t know where the 17,500 comes from or why it’s that specific. If you know, feel free to share in the comments!)
Characters, events, themes, and subplots: There are more of all of those in a novel than a novella. If there are any subplots, very little time is spent on them. In fact, it’s easier to not have a subplot. Character development happens for the protagonist only.
Plot and Pacing: A novella has a singular event that is the central crisis and focus of the plot, allowing it to be faster paced. A novel has several points of rising and falling action and interconnects subplots with the main plot.

*Sources: https://www.uobabylon.edu.iq/eprints/publication_10_21876_1383.pdf , https://kindlepreneur.com/novel-vs-novella/ , https://www.firstediting.com/blogs/difference-between-a-novel-and-a-novella/

Now that I better understand the organization of a novella, I’ve had a much better experience reading them. And those authors are also getting better reviews from me! 😉 I also really enjoy reading a couple light hearted and spicy novellas in between the longer and darker fantasies I’ve been reading (ACOWAR I’m talking about you). And I’d like to share with you my favorite Novella series and authors:

Warriors of Sangrin (a.k.a. Madfhel Brides) by Nancey Cummings – First book: Paax
Tail and Claw by Nancey Cummings – First book: Have Tail Will Travel
Any of Carly Phillips’ series. So far I’ve read: Billionaire Bad Boys, Dare to Love, and The Knight Brothers series.
Any of Aurelia Skye’s series.

I’ve read plenty of others, but those are my top three novella authors.

And in learning more about Novellas, I decided I want to be able to write some as well. So, I tried to write one, and *sigh* it turned into a 99,000 word novel. (It was The Wolf Whisperer) But I haven’t given up. I’m going to keep working on concise writing and shorter plots. And hopefully, one day, I’ll have some Novellas under my belt.

Are you a fan of Novellas? What authors/series would you recommend? Let me know in the comments!

My Top 5 Reads of 2024

Posted on December 31 by Chelsey M. Ortega

On Goodreads I read 38 books in 2024. But when I count the 16 books not registered on Goodreads and the 4 unpublished books I beta read, I read 58 books in 2024. Regardless, I didn’t meet my Goodreads goal of 76 books. But that’s okay. My Goodreads goal is always one more than I read the previous year. So, that means my 2025 goal will be 39 books.

Of those 58 books, here are my favorites:

The Dragon Prince’s Obsession by Ninally is the sequel to The Dragon King’s Obsession. Both books are about dragon shifters falling in love with the enemy: humans. In this series world building, dragon shifters live high up in the mountains. Human hunters down the mountain hunt them, and have hunted female dragons almost to extinction. In the first book, dragons capture the daughter of the leader of the hunters, and the king of the dragons falls in love with her while she is their captive. Of course there’s lots of drama, witches get involved, and the final battle is epic. And then the sequel begins.

New couple. New story. One of the best enemies-to-lovers I’ve ever read. Adela is a human servant in the king’s palace. She serves the king’s sister, Princess Lucille, and the queen, Mystique. Prince Mikhail is the king’s brother. Mikhail was one of the villains of the first book. He kidnapped Mystique and tried to kill her.

Adela stumbles across Mikhail being imprisoned by witches while she is on an unwilling adventure with the spoiled Lucille. In Lucille’s inability to see anyone other than herself, she returns to the palace safe and sound without Adela. Mikhail and Adela fight their way out, and Mikhail takes Adela to his palace. Because she saved his life, his dragon now owes her. Mikhail begrudgingly takes care of her as he fights his dragon’s attraction to her. He hates humans, but he also opens Adela’s eyes to how she is treated back at the main palace. Adela is “friends” with the royal women, but yet still has to serve them and sleep in cramped quarters with the other human servants. Adela also thinks she’s in love with the king’s right hand man, Blaze. Lucille and Blaze are secretly in love and having a secret affair. The problem, is that in order to keep her secret, Lucille encourages Adela’s crush on Blaze to hide her own feelings, knowing Blaze will never look at Adela like that. So, she’s setting Adela up for romantic failure for her own selfish agenda.

When Mikhail cracks everything open for Adela, she refuses to return to the king’s palace. Mikhail keeps her in his, where she is not a servant, but an equal resident. They grow closer and have one of the most delicious slow burns I’ve ever read. During her time there, Adela also discovers she is not truly human. Her mother was human, but her father was something else (which I’m not going to give away – read the book!). Her newfound abilities call evil witches to them, and she and Mikhail will have to literally fight for their survival and love.

It’s beautiful. It’s spicy. I LOVE this story.

The Woman They Could Not Silence by Kate Moore is a biography of Elizabeth Packard, whose story takes place in the 1860s in Illinois. Elizabeth held different religious and political beliefs from her husband, who was a preacher. She vocalized them in public, and her husband responded by getting corrupted doctors to certify Elizabeth as insane, and locked her in an asylum. Kate’s research of Elizabeth’s experience teaches four main historical facts:

1. What was considered “insane” in the 1800s – Women could be diagnosed with insanity if they disagreed with their husbands, disobeyed their husbands, or stopped loving their husbands. Elizabeth was guilty of all three.

2. How deep male ownership of women was – Several doctors who “diagnosed” Elizabeth with insanity never saw her in person. They listened to her husband’s description of her, and wrote a certificate of insanity! Also, Elizabeth couldn’t divorce her husband because he would automatically get their six children if she did.

3. Treatment of patients in asylums – Elizabeth women with less money and social status than her slapped, starved, choked, and drowned. When Elizabeth disobeyed her doctor, he took her possessions and moved her from her private room into a shared room. While the employees didn’t physically abuse Elizabeth, they allowed the more violent patients to do so instead.

4. The amount of research and lobbying needed to change the law – When Elizabeth was released from the asylum, she went to work to change the law so that some of the friends she’d made could also be released, and future women didn’t go through the same thing. It took her a decade, which included a nationally followed legal battle against her husband and doctor. She was successful in getting the laws changed across the state, which would end up saving her daughter in the future when she also suffered mental health problems in her adult years.

Elizabeth Packard’s story is one that needs remembering for both mental health laws and feminist ideology. I have always enjoyed biographies about strong and powerful women, and Elizabeth makes it on that list.

Bound Across Time by Annie R. McEwan was my first experience where an author reached out to me and offered me a free copy of their book to read and review. And it was amazing. Of course, Ms. McEwan got the royal treatment: an unboxing video, a blog post, and a YouTube review.

Bound Across Time is the first of a paranormal time-travel romance series. Patrick O’Loinsigh died in the 1700s in Wales. His ghost as been stuck in the castle he perished in. In modern days, the first living person, Cece Gowdy can see him. She’s a witch and they embark on a passionate love affair. But loving a ghost comes with risk and danger. Cece is not made for Patrick’s limbo world, and Patrick isn’t made for Cece’s living world. They are going to have to rely on the help of other witches to fight against the magic of time that is separating them.

I always find magic system world building interesting, and the rules of magic for this world were really cool. This was also the first ghost-human relationship that followed the rules of the romance genre. The sequel, Bound to Happen will be released early this year!

The Haunted Purse by Kimberly Baer is my tried and true “don’t judge a book by its cover.” I thought the title sounded juvenile and the cover didn’t pull me in. Then it ended up being the book of the month for the book club I was in. I inhaled it.

Libby is a 15-year-old high school student who lives on her own while her mom dates around, pretending she doesn’t have a daughter. Libby purchases an old purse from the secondhand store. The purse makes things disappear, and provides extra things to the purse. As Libby gets used to her purse’s abilities, she notices a connection with some of the objects that appear. They are all connected to a 20-year-old cold case. Convinced that the purse holds the ghost of the missing girl, Libby puts on her detective hat and works to solve the case.

In addition to the murder mystery plot, there are three other themes that provide great lessons for young adult readers:

How educational professionals treat each student is important – Libby’s math teacher bullies her, and her counselor looks down on her for being poor.
See something, say something – A big part of what keeps the plot moving is teenagers keeping secrets. Obviously, the secrets need to exist for a great story, but in real life, keeping secrets like these are dangerous.
Honesty really is the best policy – This connects with number 2. Teenage characters lying to adults helps the plot, but in real life, telling a trusted adult the truth can always help.

The Haunted Purse is the best YA story I’ve read in a while.

Dark Love by Aura Rose is the second in a fated mates romance trilogy. Each book features a different couple. The first book is called The Last Alpha. To be honest, I didn’t much care for the first one. Some authors who write fated mates stories use the mate bond in their plot to have a – what I call – justified cheating subplot. That is in The Last Alpha, and left a bad taste in my mouth for the rest of the book. Luckily, the end of the first book lets the reader know who the couple will be for Dark Love, and I was fully on board for their love story.

Madeline is a werewolf, Arius is a witch-vampire hybrid. Arius is not supposed to exist per the council’s rules, and they’ve been trying to kill him since he was born. Arius is also the son of the vampire king who tried to kill Madeline’s pack in the first book. So, she and Arius get a very steamy enemies-to-lovers and forbidden love arc – which, in my opinion, is the best combination of romance tropes. Trigger warning: Arius does kidnap Madeline at the beginning of the book, but he doesn’t torture or SA her.

Once Madeline and Arius accept the mate bond, they combine forces to take down the bigoted council so they can live in peace. Arius is my favorite book boyfriend.

It ends on a pretty dramatic cliff-hanger. I’m about a third of the way through the third book, His Lost Tribrid. It’s also really good. Unfortunately, the platform it’s on (Dreame) has tripled their prices over the past year. So, I won’t be able to finish it there. So, I’ve subscribed to Aura Rose’s Amazon page, and as soon as it’s available on Amazon, I’ll buy it there and finish it.

What notable books did you read in 2024? Share them in the comments!

Resolving Sociopolitical Issues in Fiction: One Reader’s Perspective

Posted on December 23 by Chelsey M. Ortega

It’s very common in fantasy and science fiction for the authors to mirror real issues that human history has gone through or is currently going through. In ACOTAR, humans used to be slaves, and once freed, became segregated from their previous masters, the fae. The First Order in Star Wars is obviously the Third Reich. Voldemort in Harry Potter is clearly Hitler. House Elves are slaves. Every single creature that isn’t a wizard are all of the colonized nations around the world. A wizard and a no-maj not being allowed to marry mirrors U.S. anti-miscegenation laws. The list goes on.

In each of those issues, the protagonist or one of the sidekicks fight against those issues. And enough progress is made that even if it’s not fully resolved by the end of the series, the reader is able to believe that it will be soon – or the main characters physically move away from the corruption to a new kingdom/world/etc.

So what happens when an author creates social injustices for their plot, but doesn’t resolve them by the end?

I recently read a series that did just that.

It was a paranormal romance series that had 10 books in it. The majority of the world-building centered around sexism. The female characters had no rights, and so their only way of a decent life is to accept a mate bond with a strong male. Children also had no rights until they shifted into their animal for the first time. And half-breeds (one human parent, one shifter parent) were the lowest of the low.

The main character for the first three books leaves her community and tries to fit into the human world because of this. She gets sucked back into her old life, where she meets her fated mate. He also doesn’t agree with the traditional way of their species, so together, they create a refuge for others like them. So, things are looking good for a traditional fight-the-corruption plot line that I love in fantasy series.

For the next three books, one of the side characters becomes the main character, and her love story commences. She and her fated mate spend three more books fighting the system, and win. They also create a second pack for outcast shifters to escape to.

The final four books take place roughly fifteen years after the sixth book ended. And this is where the plot goes in a completely different direction. There were very strong hints at the end of the sixth book that things were changing drastically. So when chapter 1 of the seventh book started and things had not only failed to improve, but even regressed beyond the first book, I was confused. However, as I continued reading, I realized it’s okay if society got worse. The Force Awakens does the exact same thing, and I enjoyed that movie. The author had to come up with something for the main character to fight. But as I got to the end of the tenth and final book, there were no hints that the corruption was going to be defeated. And sadly, it wasn’t. The two love interests got off on a technicality within the corrupted legal system, and continued to live in that evil world.

The series would have felt more complete, for me, if the corruption had truly been defeated and social and political change was evident – even if it wasn’t perfectly gone by the final sentence.

Now, I need to make a note here. I think that the author created an incredible world with relatable characters. I obviously was invested enough to read all ten books. The romance plots – which were the main plots – were well executed. And there were plenty of readers who loved the whole series. I think the author is a talented writer. They have a great imagination. I gave each individual book between 3-5 stars on Goodreads.

I also acknowledge that the end of this series is more realistic. To quote Anita Hill, “Progress isn’t measured in days. It’s measured in decades.” That being said, I don’t want fantasy to be realistic. I want the final battle to magically change everything (or put society on the first few steps of changing everything).

This is similar to what I said in my historical fiction post. Some readers don’t care if the characters are eating chocolate too early for historical accuracy, while others care very deeply. Some readers will be fine if the characters don’t take down the corrupt system, while others will want to see exactly that.

So, my opinion is simply mine. This is a decision that all writers have to make. As they build worlds and create characters, writers need to figure out which plots need to be resolved by the end – or at least a hint of a resolution.

For me, resolution is important.

I’d love to hear your thoughts. Do you think all – or close to all – the problems in a story need some type of resolution by the end? Let me know why or why not in the comments.

How Music Inspires My Writing

Posted on October 20, 2024 by Chelsey M. Ortega

The greatest pop hits of 2006 bring me back to working in a Snowie Shack on the corner of Center Street and Geneva Road. For some reason, anything by Alanis Morisett, The Cranberries, and the Pina Colada Song remind me of working at Mervyn’s. And a catchy cha cha or samba is going to bring me back to the competition floor.

Music has always been a part of my life, and specific songs are nostalgic for different eras in my life.

Writing Bondwitch was no different, and as part of celebrating my book’s birthday, I thought it’d be fun to share what songs inspired or helped me write specific scenes.

During the second act, Annamaria meets a pair of professional ballroom dancers who are also vampires. Kylie and Tyler have a YouTube channel, and invite Annamaria to join their dance routines. The routines I spent significant word count on went with a real song to help me describe the choreography. So, here are the songs that helped with the key dances:

“A Thousand Years” by Christina Perri – The Viennese Waltz that Annamaria and Tyler perform. It’s Annamaria’s first ballroom performance, and the choreography tells the story of Annamaria’s parents’ courtship.
“The Shallow” by Lady Gaga and Bradley Cooper – The contemporary routine Annamaria and Kylie perform. This routine tells the story of Annamaria and Marianna growing up apart from each other throughout the years.
“Human” by Christina Perri – this is a contemporary duet that Kylie and Tyler perform. It showcases Marianna’s upbringing by her “adopted” vampire father.
Jasmine Thompson’s cover of “Like I’m Gonna Lose You” (originally by Meghan Trainer and John Legend) mixed with “Perfect” by Ed Sheeran – This is a foxtrot-tango medley that tells the story of Annamaira’s relationship with her first boyfriend, Cody.
“How Can I Not Love You” by Joy Enriquez – This is Annamaria’s contemporary solo. She choreographs it all herself and designs her costume. The purpose of this routine is to say goodbye to her human life.

The last song that goes with a specific scene is “Almost Lover” by A Fine Frenzy. This song goes with Annamaria’s dark night of the soul moment. In this scene, Annamaria is heartbroken because she has been betrayed by people she cares deeply about, and she thought they cared deeply for her. She’s literally chained up and has a decision to make that could lead to fatal consequences.

Other songs I listened to while working on Bondwitch:

Arms by Christina Perri
Jar of Hearts by Christina Perri
Fight Song by Rachel Platten
Down by Jason Walker
I Won’t Give Up by Jason Mraz
My Heart Will Go On by Celine Dion
My Immortal by Evanescence

Music plays a huge part in most people’s lives. Certain songs have inspired decisions and creations. And sometimes, we just need the background noise while we work.

What song has been important or inspirational for you?

Let me know in the comments!

New Release: Air & Darkness by AK Nevermore

Posted on August 18, 2024 by Chelsey M. Ortega

I am honored to introduce AK Nevermore to you. She has three series to her name: The Price of Talent, The Maw of Mayhem, and The Dae Diaries. The second book in The Dae Diaries releases TODAY. And AK Nevermore is here to tell you all about it.

Hey all! AK Nevermore here. I write seat-of-your-pants urban fantasy, paranormal, and steamy dystopian romance. What do I mean by seat-of-your-pants? Whelp, I’m a total pantser and my books are fast-paced with plenty of unexpected twists and turns. They will definitely keep you guessing, so you’re gonna want to buckle in for the ride! And today, I am super excited to be sharing my latest release from The Wild Rose Press, Air & Darkness, with you.

Air & Darknessis the second installment in the Dae Diaries, but don’t let that stop you from taking it for a spin. You can absolutely jump right into this seriously quirky urban fantasy with a sassy take-no-prisoners heroine. The story follows Envy, a half-daemon who accidentally ends up becoming a goddess, much to everyone’s chagrin—including her own. Being a deity is definitely not all it’s cracked up to be, and in Air & Darkness, neither is motherhood. It’s all about baby-daddy drama going to Hell. Check it out:

A week past her due date and not in the mood for anything other than chocolate, the last thing Envy wants to deal with is some fairy demanding she chose a consort. Unfortunately, she can’t exactly tell the Gwinth to piss off without him releasing the wild hunt on humanity, and she’s in enough trouble after the whole sealing-the-veil-and-frying-portions-of-the-planet-thing.

It’s bad enough she’s not exactly on speaking terms with Kyle, Berk, and Morgana. Brennan’s way different since she released his fiend. So is she. Assimilating Lilith’s memories and powers are throwing her for a loop, and her own messy feelings on motherhood aren’t helping. Then, Brennan disappears after a devastating scandal surfaces, and everything Envy thought she knew comes crashing down…

When I wrote Air & Darkness, I definitely pulled on my personal experience and absolute bewilderment as a new mom. Things that were terrifying at the time are pretty funny in retrospect, and I tried to craft the story to highlight their absurdity.

I hope you’ll check it out, but if you need some more convincing, you can hang out with Envy out in One Night in Bliss, the free prequel. Not for nothin’ but it’s been reviewed as a “Hilarious, seriously f’d up good read…” and I kind of have to agree with them.

Then, if you want more Nevermore, stop by my website at: https://aknevermore.com/ There’s always something going on!

AK Nevermore writes Sci-fi & dark romantasy with spice. She enjoys operating heavy machinery, freebases coffee, and gives up sarcasm for Lent every year. A Jane-of-all-trades, she’s a certified chef, restores antiques, and dabbles in beekeeping when she’s not reading voraciously or running down the dream in her beat-up camo Chucks.

Unable to ignore the voices in her head, and unwilling to become medicated, she writes full time around a nest full of ravens. Her books explore dark worlds, perversely irreverent and profound, and always entertaining. AK belongs to a bunch of industry associations, volunteers for far too many committees, teaches creative writing, and on the rare occasion, sleeps.

I absolutely love hearing about personal stories and experiences that influence writers. I love that Ms. Nevermore used something as vulnerable as motherhood to craft her newest book. What personal experiences would you like turned into a book or a movie? Let us know in the comments!

Chelsey M. Ortega

Author of magic and romance

World Building Expansion in Onyx Storm