Reading

My Top 5 Reads of 2025

Posted on by Chelsey M. Ortega

Okay, it’s technically my top 8 reads of 2025, but 4 of them are in the same series, so I’m reviewing them together. 

I read 41 books this year – 2 more than my goodreads goal! 5 (8) of them I loved so much, I need to share them with you.

Remember When We by Khardine Gray. 

Khardine Gray also writes under the name Faith Summers. Whether she’s writing as Khardine or Faith, her series are all mafia romances. Remember When We is my absolute favorite of hers. It’s the third installment of her Gangster and Dolls series. It’s a second chance romance with the older brother’s best friend and secret baby tropes weaved into the plot. Lyssa and Gio haven’t seen each other in almost a decade. The death of Lyssa’s brother, Gio’s best friend tore them apart. Now they’re back in each other’s lives, and Lyssa owes money to the wrong man. Gio must not only win back her heart, but also save her from dangerous men who want to harm her.

Khardine/Faith write very spicy love scenes, and most of her MMCs are morally grey and very alpha-like. Several of her stories cross the line for me; but knowing that she has stories like Remember When We keeps me reading her stuff.

Queen Charlotte by Julia Quinn and Shonda Rhimes

Unlike the other Bridgerton stories, Queen Charlotte the book was released after Queen Charlotte the limited Netflix series. But like most film-book comparisons, the book is better! What I love about reading is that we get to experience the characters’ emotions in their heads. On screen, we guess what they’re feeling by their body language and tone of voice. Like the mini-series, Queen Charlotte follows Charlotte and George’s early days as newlyweds, Brimsley and Reynolds’ relationship, and Lady Danbury’s fight to keep her children’s rightful status after her husband dies. The book also gets a couple of scenes that aren’t in the show. My guess is they are scenes that either got deleted from final edits, or were never filmed due to time. And finally, Brimsley and Reynolds’ love story is so much better in the book. I didn’t like their story in the show. I thought Reynolds was toxic and verbally abusive. In the book, Brimsley calls Reynsolds out on this unequal behavior, and Reynolds changes for the better by the end of the book.

I’m all for Julia Quinn and Shonda Rhimes continuing to give side characters their own story. 

The Rokesby Series by Julia Quinn

  • Because of Miss Bridgerton
  • The Girl with the Make-Believe Husband
  • The Other Miss Bridgerton
  • First Comes Scandal

These four books are considered the Bridgerton Prequels. The MMCs of each book are a son in the Rokesby family – the family whose countryside property is next to the Bridgerton’s Aubrey Hall. And three of the FMCs are a Bridgerton girl; either a sister or cousin to Edmund Bridgerton (Violet’s husband and father to the eight main Bridgertons). I argue that these four books are better than the original eight Bridgerton books. But I’m sure it’s because Julia Quinn started with the Bridgerton books, and simply improved her plot creativity and writing skills as she wrote and published more. Let’s dive in to a brief summary of each:

Because of Miss Bridgerton is about the oldest Rokesby, George, and the oldest Bridgerton Billie (Sibylla). They think they hate each other, but their mothers know better and hook them up with an elaborate scheme of dinner parties and visiting London.

The Girl with the Make-Believe Husband takes us to the colonies on the North American continent during the American Revolution. Edward, the second oldest Rokesby is serving the King in his Majesty’s army. Cecilia has traveled to the colonies to find her injured brother, who happens to be Edward’s best friend. In order to get the answers she seeks, Cecilia needs the Rokesby name, and pretends to be married to Edward.

The Other Miss Bridgerton is about the third Rokesby, Andrew, and a Bridgerton cousin, Poppy. Andrew is a ship captain. His ship participates in some legit business and some pirate-level business. Poppy gets kidnapped by some of his crew, and he has to take care of her while they make an important and deadline-driven journey to Portugal. 

First Comes Scandal is about the youngest Rokesby, Nicholas, and the youngest Bridgerton Georgie (Georgiana). Georgie’s reputation has been compromised by a malicious young man who wanted to force her to marry him. Nicholas’ father asks him to marry her in order to save her from a life of spinsterhood and a soiled reputation. Their love story begins after their marriage. 

In usual Julia Quinn fashion, these four stories are full of witty women, temperamental men, and comedy. I love her writing, and this is my favorite series of hers (so far).    

Romney: A Reckoning by McKay Coppins

I didn’t know who Mitt Romney was before he became a real contender in the 2012 Republican primaries. Part of that is because I was too young to vote or care before then, and part because I took a political science class during that time, so of course my professor used class time to closely follow the campaigns. Over the years, I have grown to greatly respect Mitt Romney, especially during his time as a Senator representing Utah. Reading this biography that covers both his personal and political life was very enlightening, and I like him even more now. Mitt Romney always tries to do what he thinks is right, even when others disagree with and disparage him. I think he’s a great role model for future politicians. 

Zalis by Nancey Cummings

Nancey Cummings writes science fiction romances, and her longest running series is the Warlord Brides/Warriors of Sangrin series. Zalis is the 13th installment in that series (16th, if you count the three side stories, which I do). It popped up on my “Because you read…” recommendations on my kindle, and I bought it right away and started reading immediately. Zalis is an alien warrior, his species is called Mahdfel, and he is of the Sangrin line. He meets his human mate when he rescues her in a group of kidnapped human women to be sold on the sentient being trafficking market. Gemma does not want to go back to earth, so she accepts a match with Zalis in order to stay near her twin sister. What will start as a marriage of convenience, has the chance to bud into love. I love Nancy Cummings’ writing. She is creative in her world building. She develops humorous and witty characters. Most authors cannot continue a series for this long and keep it entertaining with readers still wanting more. But I do want more, and her acknowledgements at the end of Zalis do promise more in due time!

What were your favorite books that you read in 2025? Share them in the comments!

May 2025 Newsletter

Posted on by Chelsey M. Ortega

Everyone says that March is the longest month of the school year for students and teachers. But I actually think April is. After spring break, there are no more holidays or teacher work days. My kids also have a million end of the year performances – though I do love attending those and watching my little performers. 

What do you think? Is March or April the “longest” month of the school year?

Writing News

A couple of months ago, I finished writing my first short story. It took me two years! Short stories are hard because you have to write a complete story with fewer words. And everything I attempt always turns into a full length novel. And I finished just in time to submit it to an anthology whose theme matches my story’s. A few days ago, I received an email from the publisher that they want to include my story in their anthology! As details get hammered out, I will be sharing them here in the newsletter.

The Wolf Whisperer and the Warrior won the Fiction from the Heartland contest put on by Mid-America Romance Authors! I know in the last newsletter I said being a finalist was exciting enough, but I am so thrilled to have won. It really helped with some imposter syndrome I’ve been feeling recently. A literary agent was the judge for the final three stories, and so, this makes me think that maybe I could get this traditionally published. I haven’t made any concrete decisions yet. I still think that because it’s a fated mates werewolf romance it has the potential to do well on a reading app. Plus, having some stories available for free is nice for readers. *sigh* Decisions. Decisions. (In Dakota Fanning’s Jane voice in the Twilight series.)

Book Reviews

I’ve been rereading a lot of favorites, but here are the new ones for the month:

Killing the Witches: The Horror of Salem Massachusetts by Bill O’Reilly is unfortunately not what it’s advertised. There are three sections: 1. The Salem Witch Trials, 2. A short biography of Benjamin Franklin, 3. The event that inspired the movie The Exorcist. Each section on its own was an interesting read. But from cover to cover as a comprehensive claim? The sections don’t connect. I would have loved if the author fleshed out the Afterward and made that part of the book instead of the Revolutionary War stuff and The Exorcist stuff. 3 stars.

Because of Miss Bridgerton by Julia Quinn is the first of the Bridgerton prequels. Billie Bridgerton, the FMC, is the oldest Bridgerton of Edmund’s generation, making her the aunt of the OG Bridgertons. She helps run Aubrey Hall and is jealous that Edmund will one day inherit it instead of her. George Rokesby and his siblings have grown up with the Bridgertons, and he’s always seen Billie as too free spirited, until one day, he realizes he loves her free spirit. This is one of the slowest slow burns I’ve ever read. And the payoff was so worth it. Billie’s version of “not like other girls” is refreshing and it’s more about going after her dreams than trying to be different. George is a better heir than Anthony, hands down.

Dear reader, be patient. It takes a while to get to their first kiss, but I promise, after that, it’s amazing. 5 stars.

I’m chugging along on my ACOTAR series reread reviews on TikTok. My latest is Ch. 22-28 of A Court of Mist and Fury.

@chelseym.ortega

ACOMAF Ch. 22-28. Sorry for the long video, but these chapters have to go together! #booktok #acomaf #archeronsisters

♬ original sound – Chelsey M. Ortega

Hang in there. It’s almost summer.

Sincerely,

Chelsey M. Ortega

Learning How to Read Novellas

Posted on by Chelsey M. Ortega

Before I knew that there were more differences between a novel and a novella than just word count, a lot of my reviews of novellas read like this:

“The story ended too quickly for me.”

“I would have loved the resolution to have more details.”

“I wish the ___ plot was more drawn out.”

I read dozens like that. And then, one day, it hit me: these are meant to be short, which means the plotting is going to be structured differently than a full length novel. So, I googled “What is the difference between a novel and a novella.” Endless articles have already been written, so I’m just going to summarize three* of them:

  • Word count: A novel is 40,000+ words, a novella is 17,500-40,000 words (I don’t know where the 17,500 comes from or why it’s that specific. If you know, feel free to share in the comments!)
  • Characters, events, themes, and subplots: There are more of all of those in a novel than a novella. If there are any subplots, very little time is spent on them. In fact, it’s easier to not have a subplot. Character development happens for the protagonist only.
  • Plot and Pacing: A novella has a singular event that is the central crisis and focus of the plot, allowing it to be faster paced. A novel has several points of rising and falling action and interconnects subplots with the main plot.

*Sources: https://www.uobabylon.edu.iq/eprints/publication_10_21876_1383.pdf , https://kindlepreneur.com/novel-vs-novella/ , https://www.firstediting.com/blogs/difference-between-a-novel-and-a-novella/  

Now that I better understand the organization of a novella, I’ve had a much better experience reading them. And those authors are also getting better reviews from me! 😉 I also really enjoy reading a couple light hearted and spicy novellas in between the longer and darker fantasies I’ve been reading (ACOWAR I’m talking about you). And I’d like to share with you my favorite Novella series and authors:

  • Warriors of Sangrin (a.k.a. Madfhel Brides) by Nancey Cummings – First book: Paax
  • Tail and Claw by Nancey Cummings – First book: Have Tail Will Travel
  • Any of Carly Phillips’ series. So far I’ve read: Billionaire Bad Boys, Dare to Love, and The Knight Brothers series.
  • Any of Aurelia Skye’s series. 

I’ve read plenty of others, but those are my top three novella authors.

And in learning more about Novellas, I decided I want to be able to write some as well. So, I tried to write one, and *sigh* it turned into a 99,000 word novel. (It was The Wolf Whisperer) But I haven’t given up. I’m going to keep working on concise writing and shorter plots. And hopefully, one day, I’ll have some Novellas under my belt. 

Are you a fan of Novellas? What authors/series would you recommend? Let me know in the comments!

Learning to Love Flawed Characters

Posted on by Chelsey M. Ortega

When I was going through my early-teens horror movie phase, I would constantly ask, “Why don’t the characters do xyz?”  My dad would always respond, “Because if they did, there wouldn’t be a movie.”

That’s how I’m starting to view flawed characters. Their flaws create drama, tension, and even plot points in the stories they star in. Even so, up until recently, I still expected some type of redemption or growth from a flawed character. That kind of expectation from a main character? Absolutely! But I also placed that same expectation on side characters, and it was affecting my ability to enjoy some great stories. 

My biggest struggle with this was the Beautiful Creatures series by Kami Garcia and Margaret Stohl. There are several characters whose flaws cause problems, and there’s no redemption or growth. The characters double down on their reasons for how they act, and Ethan and Lena are forced to accept it because they are young and have to obey the adults in their life. 

Years later, I read Spirit in Tow by Terry Segan, and her character named Gus drove me absolutely crazy. He caused a lot of problems, he was incredibly selfish, and he rarely apologized. Ms. Segan agreed to an interview when I was reviewing that book, and one of my questions was specifically about how she created Gus with all of his flaws and issues. One thing she said that stuck out to me was, “I… wanted Marni to see his occasional soft side, that we know almost every tough guy has, despite trying to hide it. It’s those cracks in his armor that kept Marni wanting to solve his murder and free his soul.” 

Occasional soft side. Cracks in his armor.

Characters need to have enough likable aspects, that their flaws can be, at the very least, tolerated.

And with this budding new view on flaws in fictional characters (and I do think it’s important to emphasize fictional – there are things that are okay in fiction that are not in real life, and that’s okay), I picked up Terry’s newest book: Five Steps to Celestia.

Joy lost her memory in a motorcycle accident 22 years ago. After her doctor is unable to find anything to identify her, he courts her, and they get married. Now she’s a widow, and comes across some mysterious seeds on a road trip with her bestie. Planting the seeds coincides with the arrival of some suspicious characters, and Joy’s memories start to crack open. As Joy learns about her past, she realizes that she was a different person than she is now, and she has a lot to answer for. And the big question: Which version of herself will Joy keep, or is it possible to blend her two lives?

Terry Segan does an excellent job of weaving an engaging story with enough mystery to keep the reader wanting more. And like her previous book, these characters are full of flaws.

Suzi is Joy’s best friend, and she starts out as your typical comedic elderly character. Suzi is on her 5th divorce when the story starts. She’s a terrible driver, a shopaholic, and a giant flirt with men young enough to be her grandsons (and they rarely want to flirt back). She’s loud, speaks her mind at inappropriate times, and won’t take no for an answer. Her flaws are going to cause a life-threatening climax that my younger self would have not been able to forgive had this book existed five years ago. But Suzi is also fiercely loyal. She will protect her loved ones with every fiber of her being. She has good internal radar when it comes to discerning who is and isn’t trustworthy. I honestly did not like her the majority of the book, but everything ended up coming together nicely in the end. 

Grace is Joy’s adopted daughter. Joy became Grace’s mother by marrying her father, the doctor who saved Grace’s life. Grace is married to a man who doesn’t deserve her, and her inability to kick him to the curb frustrates both the reader and Joy. But Joy has more patience than I do, and she allows her daughter to make her own choices – even if she disagrees with them. Grace’s decisions don’t put anyone else in danger the way that Suzi’s do, but it definitely caused some extra drama, that added to the tensions in the plot. 

Owen is Grace’s husband. He hurts Grace terribly and has a greedy and malicious plan that Suzi learns about from spying on him. He receives a couple of natural consequences from his actions, but none of those consequences come from Grace or Joy; and I really wanted those two women to deal out justice. *Sigh* But whether he gets the comeuppance I thought he deserved or not, doesn’t change the main plot. And because of that, I had to (begrudgingly) accept Joy’s realization: Grace is a grown woman who needs to make her own choices, and also needs her family for love and support. 

Silas is going to remain a bit more mysterious for this post. But what I will say is he likes to be in control, even if that means taking away others’ agency. Like with Owen, Silas has one consequence, but that consequence doesn’t make things better for Joy, our main character. And he doesn’t seem truly penitent. But his choices are important for the overall plot. His growth can’t happen until the end, if he was going to have growth. Joy chose to focus on other things, and doesn’t force him to change. Once again, I had to accept that this was Joy’s choice. 


When I finished reading Five Steps to Celestia, and I sat down to review it, I had to pause. I really was not happy with any of the four characters I just introduced you to. But did they make my reading experience unenjoyable? No. Did they cause an unsatisfactory ending? Again, no. So did the story deserve to lose a star or two because the characters are human? For the third time, no. And it’s with this realization that moving forward, I’ll be looking at books with imperfect characters differently and with more grace (pun intended).

Five Steps to Celestia released yesterday. Were you a lucky ARC reader like myself? What were your thoughts on the book?

Have you read any of Terry’s other books? What are your thoughts on those?

What books have you read that have helped you grow as a reader?

Let me know in the comments!

Giving in to the HEA

Posted on by Chelsey M. Ortega

It was October 2021, and I was trying to figure out if I had accidentally written a romance when I was trying to write a fantasy adventure. I had experienced a less than successful response from beta readers. Most didn’t finish, and different versions of the same reason stuck out: “I didn’t know this was going to be a romance.”

It’s not. I mean, there’s a romantic subplot that is heavily intertwined with the main plot (and the romantic subplot does become the main plot of the sequel). But if the romance isn’t the main plot, then it’s not a romance, right? With this confusion, I had to stop preparing a query letter and research romance, because I needed to query the right publishers.

I came across a week-long webinar all about writing romance put on by ProWriting Aid called “Romance Writers Week.” Almost every presenter stressed the same thing: in order for a story to qualify as a romance, the relationship between the love interests is the focus of the story and it must end in Happy-Ever-After (HEA) or Happy-For-Now (HFN). 

Right away, I was like, “Um, excuse me? What about Nicholas Sparks?” Someone else asked that question, but more respectfully. The presenter said, “Nicholas Sparks doesn’t write romance, he writes love stories.” It turns out, a love story does not require a HEA, but a romance does.  

As I talked to other writers and studied what makes a romance a romance, I was correct in originally thinking that I did not write a romance. But the romantic subplot was important enough that I needed to market to romance readers, and make sure the subplot matched romance expectations. But I struggled with the HEA/HFN aspect. I felt like if the ending required a guarantee that the romantic interests end up together, then if a story is a romance, the ending is already spoiled the moment I open the book.

I went through a little identity crisis as a romance reader. The love stories I have read where the couple goes their separate ways or one of them dies, gave me enough pause to believe that any romance could end that way. So the tension and roller coasters the characters go through, I went through with them. But knowing ahead of time they are going to overcome it, temporarily took that magic away from me. I felt like “the man behind the curtain” had been exposed, and I was struggling with what I saw.

In the next romance I read after learning about HEA, the female MC was in a carriage accident. The final sentence of that chapter is, “And he watched his wife die.” I snorted and rolled my eyes. No he didn’t. She can’t die if this is a romance. The next romance I read had a gunshot at the end of a chapter, but who did the bullet hit? Well, before turning the page, I knew it wasn’t the female MC. How was I ever going to enjoy a romance again?

As I reached out to other romance readers about this identity crisis, most of them said something along the lines of, “I like knowing I’m guaranteed a happy ending. I read romance to feel happy. So it’s not about a surprise ending. It’s about the journey. How is the author going to bring them tension, danger, and drama to test their relationship? How are they going to overcome it? Is the journey believable, relatable, and entertaining?”

It took me a while to accept that mindset. And I had to read through several romances where I practiced viewing the story from that angle. But I eventually got it, and I’m back to enjoying romances. 

This has also helped me in my own writing. Since as the author, I know the ending, I need to make sure that the journey to that ending is believable, relatable, and entertaining for my readers. 

Are you a romance reader? What’s your favorite romance? What’s your favorite type of romance or trope?