Writing

What Catches a Reader’s Eye? A Reflection on how people find and choose books.

Posted on by Chelsey M. Ortega

One day, during my sophomore year in high school, a classmate grabbed my arm and said, “I just finished the most amazing book, you have to read it!” That book was Twilight  by Stephenie Meyer. I trusted this classmate’s opinion, asked my mom for the book, and it ended up being my Easter present that year. I read it in one day, bought the second one and read that in one day. Then I had to wait a couple months for the third, but I was hooked. 

Two years prior to that, in eighth grade, a friend of mine found her mom’s copy of The Notebook by Nicholas Sparks, read it, and passed it around to the rest of our group. She had us write our names inside the front cover when we finished it to make it our own “sisterhood of the traveling pants”, but with a book. From there, I sought out other Nicholas Sparks’ books (Safe Haven is my favorite). 

That same year, I checked out a copy of A Dance for Three by Louise Plummer from the school library, and recommended it to my friend. She checked it out next and loved it so much, she made her mom hunt it down so she could own a copy. (And let me tell you, that book is hard to find in a traditional bookstore. This was 2004.)

What is the common denominator in those three tales? Word of mouth. Most of the books I have read, I came across via recommendation: a friend, a family member, maybe facebook ads, etc. And according to many blogs, podcasts, and seminars; word of mouth is still the best way to sell books. 

Even so, authors are also told that online reviews are important because the algorithms on those websites recommend books that have a lot of reviews. But even though that’s what the algorithm does, is that really how potential readers find books? And do readers read reviews before deciding whether to read a book or not? 

I created a Google Forms survey, and 76 people responded. Here are the results:

What helps you learn about and choose to buy a book? 

*Note: This was a “Check all that apply” question, so all numbers together will go beyond 76

Recommendations from family and friends58
Window shopping in brick and mortar bookstores 36
Online ads (i.e.facebook, instagram, etc.)18
“Also bought” on Amazon19
“Readers also liked” on Goodreads12
Searching a preferred genre/trope on Amazon27
Other25

Surveyors got to type something if they clicked other, and here are the common “others” summarized into general categories:

  • Book influencers/reviewers on Instagram, TikTok, and blogs
  • Websites like Bookbub
  • Libraries
  • Events like festivals
  • Book clubs
  • Gifts

So, like my own experiences, most people still rely on recommendations from trusted people. But a decent number of people are also using the internet in some capacity (Amazon, social media, etc.)

Forms response chart. Question title: Do you read the reviews on sites like Goodreads or Amazon BEFORE buying a book?. Number of responses: 76 responses.
Forms response chart. Question title: If you read the reviews, do they affect whether you buy the book or not?. Number of responses: 75 responses.

These next two responses totally threw me. Because I don’t read reviews before buying a book, I erroneously assumed most people were like me. And this has completely turned my marketing world upside down. 

Forms response chart. Question title: What number of stars do you personally think is a positive review? (check all that apply). Number of responses: 76 responses.

I was not surprised by these results. For me, 3 stars means that I enjoyed the book enough to finish, and I don’t regret spending my money on it. So I consider 3 stars a positive review. But at the same time, I know on the marketing side, you don’t choose a 3 star review to highlight. You choose 5 star reviews to highlight. 

At the end of the survey, I provided space to type anything they wished to add, since I often struggle with multiple choice, because I want to explain my answer. With respect to transparency, I did use AI to help me find commonalities in the 49 responses, and come up with categories based on those commonalities. AI discovered 5 categories, and as I went through them, I deleted two of AI’s category and created a two of my own, moving some of the responses around to the following:

Category 1: Preference for Cover, Blurb, and Initial Impressions – 14 people expressed this was important to them in selecting a book.
An attractive cover and a strong blurb on the back will get my attention. I’ll read a page or two (unless it’s by an author I’m already familiar with) to see if they can get my interest. It’s rare that I will read a review first.
By far the first thing that gets me to look at a book is the blurb and a cover, and from there, I will look at reviews or recommendations before I decide to buy.
Sometimes I get recommendations from word of mouth, but not often. 95% of the time, I’ll see an ad on FB or IG. If the blurb is interesting, I’ll click on it and go to the Amazon page and read through that. If it still seems worth getting, I’ll read the sample. If it still seems good, I’ll get it on Kindle Unlimited. If I absolutely love it, I’ll buy the ebook. Even rarer, I’ll buy the physical copy. Occasionally I’ll buy books not on KU, but that’s even more rare. That only happens when an author I already trust has a new release. And right now, that’s…. one, but used to be two. But I stopped liking that author’s books, so it seemed silly to spend money on a book when it was a “maybe I’ll like it.”
I usually choose a book based on the blurb, the cover, and the genre.
Cover and genre recognition are big factors for me – the “catch your eye” thing.
I read the synopsis or hook that is on the back or inside of the cover of the book to see what it’s about most of the time and if it captures my attention then I read it. A quick little summary of the story over reviews is usually what helps my decision more than book reviews. How I find out about the book is in all sorts of ways, wandering through bookstores, Amazon, Facebook, and every other way to find new books.
Most times it’s the blurb. If it reads like it’ll be an intriguing story, I’m in.
Cover and blurb is what usually leap out at me. Also read the first pages.
Excerpts on Facebook ads and catchy stock pics or video grab my attention.
Cover art then blurb.
I read a few reviews, but they don’t carry much weight. I mostly rely on the sample pages. If they grab me, I buy, if not I pass for now.
I usually read the jacket cover before buying.
I rarely read reviews because I like to make up my own mind. I look at the cover, read the blurb, read the author’s info, and read the first couple of pages.
If a book catches my eye, I read a page or two of the preview. If it intrigues me and is not full of typos, grammatical infelicities or clunky writing, I’ll buy it.
Category 2: Number of Stars Matters – 5 people explained how they use stars and averages to help them decide whether to read a book or not.
I would select a book with four stars and above. If there are a lot of reviews, I don’t pay attention to negative ones since it may just be a personal opinion.
If there’s a few 1 or 2 star reviews but the rest are 4 and up, I usually disregard the lower reviews. It’s simply the taste of the reader. I sometimes seek out books because of something I’ve heard or read in the media about a book or author. For instance, I recently read my first Emily Henry book because of an article I read online.
Sometimes reviews affect whether I will purchase a book, but if a book has been recommended by someone I know personally, that would have more weight, even if the reviews aren’t outstanding. I’m also more likely to look at the number of reviews and the average rating than to read individual reviews.
I use book reviews, but I don’t read them. Spoilers being what they are, I don’t want anything to color my expectations. If a book has a 3.5/4+ out of 5 stars, and a number of reviews north of 10, I’ll likely pick it up.
I think any number of stars is a positive review. It really depends on what the actual review says. After all, you can give a 5 star review, but then in the post, the reviewer can list more negative things they thought about the book than positive.
Category 3: Mixed Feelings or Limited Reliance on Reviews – 7 people shared their reluctance to trust reviews 100%.
I take all reviews with a grain of salt. I usually never agree with movie reviews. I do look at the reviewer’s bio information, if any, such as age and gender. I really try to take information from multiple sources.
I read the reviews, but if the blurb and book cover attract my attention, I will make up my mind based on what I think, not what a stranger says.
I rarely read reviews because everyone has different tastes and the people who write reviews tend to be the angry rude people. I don’t like to support that kind of negativity toward someone’s art. More often than not, I have a different opinion from the reviewers, so it does me no good to read them first.
I don’t always read reviews, especially if I’m familiar with the author’s work. Reviews are just opinions, and whether or not I buy a book depends on if it sounds interesting to me, and is the type of story I like to read.
I dislike and ignore the value of 1- or 2-star reviews without text. I think Amazon does a disfavor to authors when they allows this type of review since it pulls down your score with no reason why the book was rated so low. For example : “2 star – Clear filter – 1 total rating, 0 with reviews” – Are these trolls?
Reviews are all over the map. Often the text doesn’t match the number of stars I would think it merits. Some get low stars because the Reviewer has an axe to grind like doesn’t one of the characters because they are multiracial or something that has little to do with the quality of the story. I rely a lot more on friends and family recommendations.
I’ve worked in the publishing industry as a marketer and am wary of the techniques used to sell books, many of which are hollow and baseless, including book reviews. A positive book review is practically a given to most reviewers who receive a free copy.
Category 4: Looking for specific info. in reviews – 9 people said that the purpose of reading reviews is to look for specific good or negative hints on whether the book will be worth it.
I tend to read the actual review rather than just go by the star rating. I will disregard one or two negative reviews (there is always someone who likes to destroy an author’s confidence) but if there are a lot of negative reviews saying a similar thing, I will probably pass on it.
There are certain things that really bug me when I read books, and if reviews mention any of those things, I tend to avoid the book. Sloppy prose is one of those things. Most books I read nowadays are on Libby, but I will occasionally buy a book if I want to read it sooner than it will be available to check out.
I depend heavily on reviews to decide whether to try a book by an author unfamiliar to me. A well-written review will give me a general idea of the plot and tell me whether I would probably like the book. Even if the reviewer disliked it, a good review will explain lucidly exactly what the reviewer disliked — and it may be a feature that would appeal to me. For example, if a review complains about a story being too “slow,” with too much dialogue and not enough action, I know I’ll probably enjoy it.
I like when recommendations or reviews compare the books to other popular books or series that I may have read
I’ll look at reviews depending on how I found a book. If it’s an online recommendation I don’t know anything about, I’ll always read a review. If it’s the author or a friends recommendation, I’ll never read a review.
I read the reviews to see if they tick any of the boxes of my likes and dislikes. For instance, I won’t read/buy a book with a cliffhanger ending, and I’m leery of books with poor editing.
Book reviews give me a better idea of what the book is about. Blurbs aren’t always great.
Re reading reviews, I read them sometimes, but if I’m in a physical bookstore I wouldn’t. When reading a review, I don’t take it for being 100% accurate but allow for any bias I see creeping in. I like a reviewer who spells out what sort of reader would like a particular book and what sort might not.
I often read reviews after I’ve started reading a book, particularly one I either love or hate just to see if other people thought the same.
Category 5: Reliance on Recommendations or Familiarity -11 people explained they have specific trusted sources to help pick their next book.
I often take recommendations from the Today Show.
If I have read and enjoyed something else in that author’s backlist, I will often be on the lookout for a new release. I will sign up for their Bookbub or to follow them on Amazon.
There are certain authors I follow and their books are usually the first I gravitate toward. Also, many of the books I read are the next month’s selection for my book club. Before choosing a book, I read a few of the reviews, both the good and the bad, just to get other peoples’ opinions. What the reviewers liked/disliked may not be what I look for in a book, so I won’t not read a novel based solely on someone else’s rating. I then read the blurb and the first couple of pages and give a thumbs up or down based on how I like the book’s opening.
I sometimes read reviews from instagrammers with similar taste in books.
I am more likely to read a book based off recommendations of people I know than reviews, but I do read reviews periodically, and factor them into my considerations.
Authors I follow
I choose books when I see an across the board popularity
I don’t always read reviews, especially if I’m familiar with the author’s work. Reviews are just opinions, and whether or not I buy a book depends on if it sounds interesting to me, and is the type of story I like to read.
As a former librarian, many of the patrons I talked with chose books to read based upon book cover, familiarity with the author, recommendations by library staff and viewing displays in the library. As for reviews, I am somewhat cynical about Amazon and other larger online entities because many of the reviews appear to be a trade (I will give you a good review if you give my book a good review) or manipulated by larger publishers to get their books out there–to make money, of course.
I am generally searching books by favorite authors. I also tend toward books carried by my library. Ebooks there are acquired through Amazon.

Final Reflections

To be honest, I did not get the results I wanted and thought I would get. Reviews really are just as important as all the marketing articles and webinars have been telling me. But I think I needed this wakeup call. One of my weaknesses is I can get prideful and not accept information if it doesn’t match my personal life. I’m going to have to do some soul searching for my next marketing endeavor. 😂

What responses stuck out to you or surprised you?

Anything you connected with or feel like it didn’t match you?

How do you choose books?

Let me know in the comments! 

New Release: Kissing Kin by Karen Hulene Bartell

Posted on by Chelsey M. Ortega

Maeve Jackson is starting over after a broken engagement—and mustering out of the Army. No job and no prospects, she spins out on black ice and totals her car.

When struggling vintner Luke Kaylor stops to help, they discover they’re distantly related. On a shoestring budget to convert his vineyard into a winery, he makes her a deal: prune grapevines in exchange for room and board.

But forgotten diaries and a haunted cabin kickstart a five-generational mystery with ancestors that have bones to pick. As carnal urges propel them into each other’s arms, they wonder: Is their attraction physical…or metaphysical?

The idea for Kissing Kin first came to me during 2020 because of the striking similarities between Covid and the Spanish Flu of 1918, but publishers convinced me no one wanted to read about pandemics. Time passed. 

Then I noticed a handmade cookbook my grandmother had constructed during the depression. It’s made of two cardboard flaps reinforced at the edges with duct tape and held together by two metal ring binders. That book inspired me. (I used some of its recipes in Kissing Kin, for instance, Simple Sponge Cake, Mother’s Soft Gingerbread, and…the treatment of chicken lice with nicotine-sulfate.)

The general tone of the cookbook, which was meant as a Christmas present during the 1930s, was chatty. It read more like a diary than a book of recipes, and it motivated me to begin writing Kissing Kin.

If wishes were fishes, Kissing Kin would be made into a movie. I realize that’s a longshot, but it never hurts to dream. On that note, Maeve, the female protagonist for my Kissing Kin dream cast would have to be Millie Bobby Brown because of her amazing acting range. With her talent, she could pull off being an M2 Bradley driver in Afghanistan and the unwitting spectator to specters. 

The male protagonist would have to be Timothée Chalamet. Not only is he a heartthrob, but he’s a versatile actor, whether the genre be drama, comedy, or action. I can see him as the struggling vintner, who makes Maeve a deal. On a shoestring budget to convert his vineyard into a winery, he offers her room and board in exchange for pruning grapevines.

And for your enjoyment, an excerpt:

Grandma’s bedtime stories echoed through my mind as I sped west on I-10. At an early age, family history had merged with myth until the name Fort Lincoln was as legendary as Avalon or Middle Earth.

But when the snow-covered peaks loomed closer, their reality was undeniable. Maybe her stories weren’t tall tales…

And what about her proverbs? “Idle hands are the devil’s workshop.” I winced. No job and no prospects. Mustering out after a five-year Army stint, I had to ask myself: What next? Where next?

Cody slipped into my thoughts, but I dismissed him, refusing to romanticize our breakup.

A troop of cavalry soldiers galloped toward me from the nineteenth century, but a second glance proved the images were metal cutouts–two-dimensional illusions that resembled an officer and guide leading two columns of cavalrymen.

The silhouettes evoked tales of my great-great-grandfather, Ben Williams. Beginning his military career as a scout, he’d been field promoted during combat, then commissioned as Second Lieutenant at Fort Lincoln.

I smiled, proud of our similar career paths. Maybe Grandma’s stories influenced me more than I realized.

Leaving the Interstate, I turned south. Road signs noted towns that sounded familiar from family stories but seemed as mythical as Camelot or Tintagel Castle.

Closer now, the mountains’ features came into view. No longer mere outlines on the horizon, each craggy palisade and butte towered over the highway. Fluffy hoarfrost transformed the landscape into an icy spectacle, with flaky, crystal shards overlaying each leaf and every blade of grass. A frozen fairyland! Just the way Grandma described it. Inspired by the raw beauty, I straightened my shoulders. Maybe I’m viewing my discharge the wrong way. Instead of adrift, maybe I’m free…

Kissing Kin can be purchased here: https://books2read.com/u/boXl10

Author of the Trans-Pecos, Sacred Emblem, Sacred Journey, and Sacred Messenger series, as well as Kissing Kin, Fox Tale, Wild Rose Pass, The Keys: Voice of the Turtle and more, Karen is a best-selling author, motivational keynote speaker, IT technical editor, wife, and all-around pilgrim of life. She writes multicultural, offbeat love stories steeped in the supernatural. Born to rolling-stone parents who moved annually, Bartell found her earliest playmates as fictional friends in books. Paperbacks became her portable pals. Ghost stories kept her up at night—reading feverishly. The paranormal was her passion. Novels offered an imaginative escape. An only child, she began writing her first novel at the age of nine, learning the joy of creating her own happy endings. Professor emeritus of the University of Texas at Austin, Karen resides in the Texas Piney Woods with her husband Peter and her mews—three rescued cats and a rescued *Cat*ahoula Leopard dog.98

Connect with Karen at her website: https://karenhulenebartell.com/

February Newsletter 2024

Posted on by Chelsey M. Ortega

Before we dive into this month’s newsletter, I’m sure you’ve noticed it is on a different platform. (And those of you who are subscribed to my blog, but not newsletter: Welcome to my newsletter! It’s switching over to my blog.) The company I used to send my newsletters through has decided to stop accepting gmail accounts and wants their users to have paid professional emails. Because of this, I have decided to move my newsletters over to my blog. However, this will be the only newsletter that is available to everyone. Just like the old newsletter, starting in March, you will need to be subscribed to this blog to receive the newsletter. All other blog posts will remain available to everyone.

How you subscribe to the blog:

  • Click on the “Subscribe” button on the bottom right corner of your screen.
  • Type in your email
  • Click “Sign me up”

I hope you all have a successful transfer. If not, or you have questions, please send me a message through my Contact page.  

January is named for the Roman God, Janus; God of doorways, beginnings, and the rising and setting of the sun. And the new beginning I’m experiencing at work has reminded me why I love teaching English Language Development (formally called ESL). The majority of my ELD students are advanced, so the curriculum is more in line with a traditional English class. I now have 4 beginning students, and get to teach them the English language. I am loving it. 

My daughters had a dance concert at the end of January. Being the dance mom that I am, I chaperoned 2 of the 4 shows, and bought a ticket for the other two. They were very happy up on stage, dancing their little hearts out. But it was also their last performance for the time being. One wants to switch to gymnastics, and the other is switching to soccer. When I was a kid, I experienced several different extracurriculars before I stuck with ballroom dance; so I’m excited to see all the different things my kids try.

I have started my final round of edits to Bondwitch: Hybrid, and when I’m finished, I’ll be pitching it to The Wild Rose Press! I also gave my first presentation at an author event hosted by the Santaquin Library in Santaquin, Utah. My topic was “The Three Publishing Pathways, and Why I Chose a Small Press”. It went better than I thought. I had a small audience, and a few people asked questions at the end. You can watch it below:

I’m also excited to say that Real Life Romance stories are returning to my blog for the month of February. Four guest authors will be sharing real love stories from their lives or their ancestors’ lives. Last year’s stories were beautiful, and this year’s stories will be just as great. The first one goes live tomorrow.

Out of the 4 books I read during the month of January, I recommend 3 of them:

The Nameless Luna by Hope Dwinell

Out of Body by Kimberly Baer

Alien Survivor: Stranded on Galatea by Juniper Leigh

I wish you a happy month of love.

Sincerely,

Chelsey M. Ortega

Giving in to the HEA

Posted on by Chelsey M. Ortega

It was October 2021, and I was trying to figure out if I had accidentally written a romance when I was trying to write a fantasy adventure. I had experienced a less than successful response from beta readers. Most didn’t finish, and different versions of the same reason stuck out: “I didn’t know this was going to be a romance.”

It’s not. I mean, there’s a romantic subplot that is heavily intertwined with the main plot (and the romantic subplot does become the main plot of the sequel). But if the romance isn’t the main plot, then it’s not a romance, right? With this confusion, I had to stop preparing a query letter and research romance, because I needed to query the right publishers.

I came across a week-long webinar all about writing romance put on by ProWriting Aid called “Romance Writers Week.” Almost every presenter stressed the same thing: in order for a story to qualify as a romance, the relationship between the love interests is the focus of the story and it must end in Happy-Ever-After (HEA) or Happy-For-Now (HFN). 

Right away, I was like, “Um, excuse me? What about Nicholas Sparks?” Someone else asked that question, but more respectfully. The presenter said, “Nicholas Sparks doesn’t write romance, he writes love stories.” It turns out, a love story does not require a HEA, but a romance does.  

As I talked to other writers and studied what makes a romance a romance, I was correct in originally thinking that I did not write a romance. But the romantic subplot was important enough that I needed to market to romance readers, and make sure the subplot matched romance expectations. But I struggled with the HEA/HFN aspect. I felt like if the ending required a guarantee that the romantic interests end up together, then if a story is a romance, the ending is already spoiled the moment I open the book.

I went through a little identity crisis as a romance reader. The love stories I have read where the couple goes their separate ways or one of them dies, gave me enough pause to believe that any romance could end that way. So the tension and roller coasters the characters go through, I went through with them. But knowing ahead of time they are going to overcome it, temporarily took that magic away from me. I felt like “the man behind the curtain” had been exposed, and I was struggling with what I saw.

In the next romance I read after learning about HEA, the female MC was in a carriage accident. The final sentence of that chapter is, “And he watched his wife die.” I snorted and rolled my eyes. No he didn’t. She can’t die if this is a romance. The next romance I read had a gunshot at the end of a chapter, but who did the bullet hit? Well, before turning the page, I knew it wasn’t the female MC. How was I ever going to enjoy a romance again?

As I reached out to other romance readers about this identity crisis, most of them said something along the lines of, “I like knowing I’m guaranteed a happy ending. I read romance to feel happy. So it’s not about a surprise ending. It’s about the journey. How is the author going to bring them tension, danger, and drama to test their relationship? How are they going to overcome it? Is the journey believable, relatable, and entertaining?”

It took me a while to accept that mindset. And I had to read through several romances where I practiced viewing the story from that angle. But I eventually got it, and I’m back to enjoying romances. 

This has also helped me in my own writing. Since as the author, I know the ending, I need to make sure that the journey to that ending is believable, relatable, and entertaining for my readers. 

Are you a romance reader? What’s your favorite romance? What’s your favorite type of romance or trope?

Why I Chose a “Small” Press

Posted on by Chelsey M. Ortega

When I finished my first draft of Bondwitch, I googled “how to publish a book”, and boy, did I have a long road ahead of me. After lots and lots of editing, comments from beta readers, and more editing, I had a choice to make: query an agent, query a small press, or self-publish.

Querying an agent seems to be the more traditional path. Once an author signs with an agent, their agent will then pitch the author’s book to a publisher. If the publisher accepts the book, then the book gets published. The publisher has an editor, artist, and marketing team to help with the process

Going with a small press is very similar to the above, just minus the agent. The author acts as their own agent. They query the publisher, the publisher either accepts or rejects the book. These publishers are called “small press” because they either don’t publish as many books as “The Big Five” publishers per year, or they aren’t as well known, or they don’t offer the “whole package” (for example, one author friend is with a publisher who requires its authors to hire their own editor and cover artist, and the publisher covers everything else). Even with the label of “small”,  some are still pretty large. 

Self-publishing is where the author does everything on their own: editing, cover art, formatting, and marketing – or they pay someone to do it.

Of the three, self-publishing is the only one that guarantees your book will get published. If you want a publisher to publish your book, they have to accept it. That is often a long and painful road of rejections before someone believes your book is marketable. 

Regardless of which path an author takes, marketing is something the author must be heavily involved in. We have to create ways in which potential readers will come across our book and hopefully buy it. 

At first, I thought I wanted to go the agent route. As I researched agents who repped fantasy and romance, I discovered something. Most agents don’t accept a broad genre. They have something called a Manuscript Wish-List, which specifies what kind of stories within a chosen genre they are interested in. For example, one agent may list “Urban Fantasy with a strong female protagonist”. See how more specific that is than just “fantasy”? So as I looked at agents’ MSWLs, very few of them were asking for the kind of story Bondwitch is – or, at least it seemed that way to me. And the ones who did, wanted to rep authors from marginal backgrounds; and as a straight white Christian, that’s not me. Now, I want it understood that I am not victimizing myself here. I completely respect those agents for wanting to give diverse authors a better chance in the publishing world. It just simply meant that I needed to choose a different publishing path. 

As I started looking at small publishers, I came across a similar problem with agents. Many of them are so small, that they publish a very specific type of story, that once, again, Bondwitch did not fit into. Bondwitch falls under “mainstream” YA Fantasy, and many small publishers pride themselves on publishing more “unique” stories. 

At the same time that I was researching agents and small publishers, I started getting feedback from beta readers. Many of them couldn’t finish because they said they didn’t care for romance. I didn’t think I wrote a romance. Yes, there is a strong romantic subplot, but the main plot is not a romance. But, if the subplot was that big of a deal to potential readers, I needed to look at my genre categories differently. This led to a lot of research that I’ll talk about in a future post. But long story short, I was able to find a list of small publishers that had fantasy lines and romance lines, that way Bondwitch could fit into both. 

I actually found The Wild Rose Press by accident. Several of the stories I read on Readict  had “Published by The Wild Rose Press” at the end. I looked them up, and they didn’t require an agent for an author to query them! The stories I had been reading fell under the same aesthetic as Bondwitch, and I felt deep in my soul that The Wild Rose Press was the publisher for me. (My experience querying them can be read here.)

After all that research, and lots of thinking and going back and forth, I decided that querying a small press was the route for me. I like the idea of being my own agent, but I also need help with everything beyond writing the story. So the small press seemed like a great choice for me. I also believe in my story enough, that if all the publishers I queried rejected me, I was going to self-publish. While I queried, I created a self-publishing plan, just in case. Luckily I didn’t have to implement it, but at least I have it on the back burner if I ever want to, or if a future story doesn’t work for traditional publishers. 

I am very happy with The Wild Rose Press and I hope to stay with them for a long time. They will always be my first choice.